Chagall was a major exception to the ready embrace of western modes of art and thought by artists from Eastern Europe. However much he might borrow a stylistic element from Cubism or Orphism, Chagall maintained a spiritual element in his art that was in keeping with his Jewish and Russian heritage.
Art
Art Review: Paris Through the Window: Marc Chagall and His Circle, Philadelphia Museum of Art
by Ed Voves
March 30th, 2011
The Denver Art Museum’s New Galleries of American Indian Art
by Holly Hunt
March 23rd, 2011
Navajo “eyedazzler” rugs of the nineteenth century, in which brilliantly colored wools form intricate diamonds, are grouped together to emphasize the subtle formal variations introduced by individual weavers; the vivid reds, yellows, and greens which made the designs possible were the product of new chemical dyes.
A New Take on “Primitivism”? Man Ray, African Art, and The Modernist Lens
by Holly Hunt
March 21st, 2011
There are other questions to ask as well. Can this be anything other than two white men reducing the artifacts of a nonwhite culture to the status of props in their cerebral games? In my years as a graduate student, the academic word on artistic primitivism seemed unambiguous. It was straight-up cultural imperialism…
Art Review: Blink! Light, Sound, and the Moving Image at the Denver Art Museum
by Holly Hunt
March 16th, 2011
A work such as Nam June Paik’s Electronic Fish of 1986, constructed from a 1948 wooden Philco television console converted into an aquarium, fitted with a soundtrack recorded on audiocassette playing on a vintage 1980s car stereo, and tuned to an analog TV signal, poses conservational challenges as daunting as any presented by a crumbling quattrocento fresco.
Art Review: Gauguin: Maker of Myth, National Gallery of Art, Washington, D.C.
by Ed Voves
March 2nd, 2011
“You know that I have Indian blood, Inca blood in me, and it’s reflected in everything I do,” he wrote in 1889 to Theo van Gogh, brother to Vincent. “It’s the basis of my personality; I try to confront rotten civilization with something more natural, based on primitivism…”
New Insights Into the Life of Caravaggio
by Judith Harris
February 14th, 2011
In his most serious brawl, about which the documents provide an entirely new account, Caravaggio killed a man. The brawl, like a Los Angeles fight between rival gangs, had been planned ahead of time with eight participants, whose names are now known.
Badlands and Lost Edens: The Photography of Robert Adams
by Holly Hunt
January 26th, 2011
Adams recorded the ever-expanding suburban sprawl of the 1960s and 1970s, and his haunting, classically composed photos of tract houses and shopping centers engulfing what had been farmland helped define what was dubbed the New Topographics movement after the landmark 1975 exhibition.
Tom Russell: American Primitive Man
by Dan Fields
December 13th, 2010
Every Tom Russell song has something to say about the human heart. In each voice he invokes there are universal echoes of love, doubt, weakness, fear, restlessness and faith. The figure of the wanderer – whether soldier, cowboy, nomad, pioneer, outcast or pilgrim – passes again and again through his work.
Art Review: John Baldessari: Pure Beauty at the Metropolitan Museum of Art
by Frances DeVuono
December 2nd, 2010
There is a big fuss about Pure Beauty, John Baldessari’s retrospective at the Metropolitan Museum of Art in New York. And there should be. While his work has been shown here and internationally since the 1980s, this exhibition comprises the first major survey of Baldessari’s work in the United States in over twenty years. It was about time.
Art Review: Alessi: Ethical and Radical at the Philadelphia Museum of Art
by Ed Voves
November 30th, 2010
The Tea and Coffee Piazza sets, produced in limited editions of ninety-nine, with three artist’s proofs, were a critical success. The project served to introduce Michael Graves to the Alessi “stable,” while traveling exhibits informed museum patrons on the ways that high art and industrial design could form working partnerships. Mendini’s original conception was vindicated.

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