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California Literary Review

Art

Beauty & Bounty: American Art in the Age of Exploration, Seattle Art Museum

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July 21st, 2011

The highlight of the gallery would have to be the three paintings by lesser-known artist Martin Johnson Heade. In comparison with the majestic landscapes of mountains, waterfalls and canyons, the rather unremarkable marshlands and haystacks seem out of place. Yet, thanks to a rather humorous and talented Heade, the swirling haystacks and strange storm clouds leave the viewer with an eerie sense of calm, much like the sensation one feels before a summer storm.

Stacey Steers’ Night Hunter

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July 8th, 2011

Here, Gish finds herself amidst a riot of Freudian imagery – snakes, earthworms, and phallic blades of grass; mysterious pulsating eggs that seem to ooze blood. Among the few touches of color (added by hand) are splashes of red in Gish’s clothes (and oozing from those eggs). These, along with the old house deep in a tangled wood which forms the setting, evoke Little Red Riding Hood, perhaps the modern world’s favorite fable of sexual awakening and sexual danger.

Art Review: Marvelous Mud at the Denver Art Museum

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July 7th, 2011

Marajó is a vast island lying at the mouth of the Amazon, much of which is underwater during seasonal floods. Between 400 and 1300 AD, a culture flourished here on artificial mounds built to rise above the flood waters. The current indigenous inhabitants disclaim any connection to the earlier residents; the makers of these objects had vanished before their ancestors arrived, they say.

Collab: Four Decades of Giving Modern and Contemporary Design, Philadelphia Museum of Art

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June 9th, 2011

Put them together as an integrated unit and you have a masterpiece. And in doing so, you have a vivid testimonial to Nelson’s famous 1965 evocation of “junk” as the “crowning glory” of modern consumer culture, “the symbol as clear a statement as the pyramids, the Parthenon, the cathedrals … the rusty, lovely, brilliant symbol of the dying years of your time. Junk is your ultimate landscape.”

Art Review: Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston

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June 6th, 2011

The pieces presented in this forty-year retrospective are bright and smooth, often dauntingly large, and composed of multiple parts that cluster together like organisms in an ecosystem or diverse components within a cell. They are frequently plantlike, vital and faintly menacing, and sport attachments that suggest insect pincers or lobster claws. They’re organic and goofy, as if they’d grown themselves, rather than being made. Yet at the same time there is something stubbornly artificial in their fantastic symmetries.

Art Review: Cities of Splendor: A Journey Through Renaissance Italy, Denver Art Museum

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May 16th, 2011

The shepherds look up in bewilderment at the announcing angel whose golden halo, rose-pink robes, and orangey-bronze wings seem to glow. Surely, this is what a supernatural visitation should look like. And yet the effect of nocturnal shadow shows the painter to be as interested in earthly experiences as heavenly ones – here already is the keenly observational eye of the Renaissance.

Art Review: Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore

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May 12th, 2011

While Robinson’s depiction of a pensive young woman in a sylvan setting hardly seems revolutionary today, his painting marked a significant moment of transition in the American art scene. During the 1890′s, wealthy Americans like Henry Frick were buying Rembrandts by the cart-load.

Badlands Revisited

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May 11th, 2011

Badlands was filmed on location in southern Colorado, and recently I finally made it to Pueblo, Colorado’s Rosemount House Museum, aka the interior of the “rich man’s house.” Fans of Malick’s offbeat, lyrical American aesthetic should find plenty to like there.

Denver’s Camera Obscura Gallery Closes

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May 9th, 2011

In dramatic contrast to the wide-open, sleekly minimalist aesthetic of most modern art galleries, Camera Obscura’s displays rambled through a series of rooms whose uniform coat of white paint barely obscured their past as a Victorian home. It was in this casual, intimate, even cluttered environment that I encountered many of the luminaries of modern photography, such as Edward Weston, Eliot Porter, Imogen Cunningham…

Art Review: Health for Sale, Philadelphia Museum of Art

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April 15th, 2011

Designed for short-term use to promote public health or sell the latest “miracle” drug, medical posters have often been ignored. Traditionally, these posters have ranked well below the “stars” of Ars Medica collections, such as books of hand-tinted herbal remedies or anatomical drawings from the 16th century. But each of the prints in Health for Sale tells an amazing story, often confounding the expectations of the viewer.

2011: Armageddon Comes Early To Hopeless Film Geeks

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April 15th, 2011

Before the year is out, we may see all the weirdest and most controversial filmmakers of the age rise from cult obscurity and perpetrate further prime-time shenanigans. If this is so, then the time has come to dig out and review your most private and precious DVD collection – all the offbeat and obscure movies to which you would not subject your friends, family, or significant other to for fear of ridicule and ostracism – searching every beautiful and artfully stylized frame for hidden signs and clues. We, the scholars of the screen, must prepare the world.

Art Review: Paris Through the Window: Marc Chagall and His Circle, Philadelphia Museum of Art

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March 30th, 2011

Chagall was a major exception to the ready embrace of western modes of art and thought by artists from Eastern Europe. However much he might borrow a stylistic element from Cubism or Orphism, Chagall maintained a spiritual element in his art that was in keeping with his Jewish and Russian heritage.

The Denver Art Museum’s New Galleries of American Indian Art

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March 23rd, 2011

Navajo “eyedazzler” rugs of the nineteenth century, in which brilliantly colored wools form intricate diamonds, are grouped together to emphasize the subtle formal variations introduced by individual weavers; the vivid reds, yellows, and greens which made the designs possible were the product of new chemical dyes.

A New Take on “Primitivism”? Man Ray, African Art, and The Modernist Lens

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March 21st, 2011

There are other questions to ask as well. Can this be anything other than two white men reducing the artifacts of a nonwhite culture to the status of props in their cerebral games? In my years as a graduate student, the academic word on artistic primitivism seemed unambiguous. It was straight-up cultural imperialism…

Art Review: Blink! Light, Sound, and the Moving Image at the Denver Art Museum

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March 16th, 2011

A work such as Nam June Paik’s Electronic Fish of 1986, constructed from a 1948 wooden Philco television console converted into an aquarium, fitted with a soundtrack recorded on audiocassette playing on a vintage 1980s car stereo, and tuned to an analog TV signal, poses conservational challenges as daunting as any presented by a crumbling quattrocento fresco.

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