Here, Gish finds herself amidst a riot of Freudian imagery – snakes, earthworms, and phallic blades of grass; mysterious pulsating eggs that seem to ooze blood. Among the few touches of color (added by hand) are splashes of red in Gish’s clothes (and oozing from those eggs). These, along with the old house deep in a tangled wood which forms the setting, evoke Little Red Riding Hood, perhaps the modern world’s favorite fable of sexual awakening and sexual danger.
Art
Stacey Steers’ Night Hunter
by Holly Hunt
July 8th, 2011
Art Review: Marvelous Mud at the Denver Art Museum
by Holly Hunt
July 7th, 2011
Marajó is a vast island lying at the mouth of the Amazon, much of which is underwater during seasonal floods. Between 400 and 1300 AD, a culture flourished here on artificial mounds built to rise above the flood waters. The current indigenous inhabitants disclaim any connection to the earlier residents; the makers of these objects had vanished before their ancestors arrived, they say.
Collab: Four Decades of Giving Modern and Contemporary Design, Philadelphia Museum of Art
by Ed Voves
June 9th, 2011
Put them together as an integrated unit and you have a masterpiece. And in doing so, you have a vivid testimonial to Nelson’s famous 1965 evocation of “junk” as the “crowning glory” of modern consumer culture, “the symbol as clear a statement as the pyramids, the Parthenon, the cathedrals … the rusty, lovely, brilliant symbol of the dying years of your time. Junk is your ultimate landscape.”
Art Review: Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston
by Katherine Hollander
June 6th, 2011
The pieces presented in this forty-year retrospective are bright and smooth, often dauntingly large, and composed of multiple parts that cluster together like organisms in an ecosystem or diverse components within a cell. They are frequently plantlike, vital and faintly menacing, and sport attachments that suggest insect pincers or lobster claws. They’re organic and goofy, as if they’d grown themselves, rather than being made. Yet at the same time there is something stubbornly artificial in their fantastic symmetries.
Art Review: Cities of Splendor: A Journey Through Renaissance Italy, Denver Art Museum
by Holly Hunt
May 16th, 2011
The shepherds look up in bewilderment at the announcing angel whose golden halo, rose-pink robes, and orangey-bronze wings seem to glow. Surely, this is what a supernatural visitation should look like. And yet the effect of nocturnal shadow shows the painter to be as interested in earthly experiences as heavenly ones – here already is the keenly observational eye of the Renaissance.
Art Review: Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore
by Ed Voves
May 12th, 2011
While Robinson’s depiction of a pensive young woman in a sylvan setting hardly seems revolutionary today, his painting marked a significant moment of transition in the American art scene. During the 1890′s, wealthy Americans like Henry Frick were buying Rembrandts by the cart-load.
Badlands Revisited
by Holly Hunt
May 11th, 2011
Badlands was filmed on location in southern Colorado, and recently I finally made it to Pueblo, Colorado’s Rosemount House Museum, aka the interior of the “rich man’s house.” Fans of Malick’s offbeat, lyrical American aesthetic should find plenty to like there.
Denver’s Camera Obscura Gallery Closes
by Holly Hunt
May 9th, 2011
In dramatic contrast to the wide-open, sleekly minimalist aesthetic of most modern art galleries, Camera Obscura’s displays rambled through a series of rooms whose uniform coat of white paint barely obscured their past as a Victorian home. It was in this casual, intimate, even cluttered environment that I encountered many of the luminaries of modern photography, such as Edward Weston, Eliot Porter, Imogen Cunningham…
Art Review: Health for Sale, Philadelphia Museum of Art
by Ed Voves
April 15th, 2011
Designed for short-term use to promote public health or sell the latest “miracle” drug, medical posters have often been ignored. Traditionally, these posters have ranked well below the “stars” of Ars Medica collections, such as books of hand-tinted herbal remedies or anatomical drawings from the 16th century. But each of the prints in Health for Sale tells an amazing story, often confounding the expectations of the viewer.
2011: Armageddon Comes Early To Hopeless Film Geeks
by Dan Fields
April 15th, 2011
Before the year is out, we may see all the weirdest and most controversial filmmakers of the age rise from cult obscurity and perpetrate further prime-time shenanigans. If this is so, then the time has come to dig out and review your most private and precious DVD collection – all the offbeat and obscure movies to which you would not subject your friends, family, or significant other to for fear of ridicule and ostracism – searching every beautiful and artfully stylized frame for hidden signs and clues. We, the scholars of the screen, must prepare the world.

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