This exhibition of the works of Henry Ossawa Tanner is the first major reappraisal of the great African-American painter in a generation. On display in the PAFA exhibit are over 100 of Tanner’s works, including twelve paintings never shown in a previous retrospective. Drawings, photographs, prints and the only two surviving sculptures created by Tanner are featured, along with his paintings.
Art
Henry Ossawa Tanner: Modern Spirit, Pennsylvania Academy of the Fine Arts, Philadelphia
by Ed Voves
January 31st, 2012
Into the Void: The Bicoastal Legacy of Weldon Kees
by Holly Hunt
January 26th, 2012
This is very different stuff than the angst of later confessional poets such as Lowell and Plath, whose despair is essentially personal, rooted in disappointment and disillusionment. Kees, by comparison, proposes that this is simply how it is, and does so with enough coolness and elegance that it comes as no surprise that Wallace Stevens wrote to Kees ordering a volume of a limited edition of his verse.
Art Review: The Renaissance Portrait from Donatello to Bellini, The Metropolitan Museum of Art
by Ed Voves
January 10th, 2012
In his Portrait of a Young Man, painted in 1478, Antonello fused the psychological intensity of Byzantine icon painting with a close regard for his subject’s unique, personal identity. Antonello died the year after he painted Portrait of a Young Man, but with this and a handful of similar works, he blazed a trail for all of the great portrait painters who came after him.
Denver’s Clyfford Still Museum
by Holly Hunt
January 9th, 2012
In 1959, he referred to esteemed critic Clement Greenberg and others as “wandering mongrels” only able to “cock a leg” against work they could not understand.
West of Center: Art and the Countercultural Experiment in America, 1965 -1977, Museum of Contemporary Art, Denver
by Holly Hunt
January 5th, 2012
Earnest rather than ironic, unashamedly idealistic, unafraid of appearing amateurish and haphazard, many of the contents of this exhibition have the air of artifacts from a lost world.
Art Review: Two Chinese Exhibitions at the Denver Art Museum
by Holly Hunt
January 3rd, 2012
This was a world in which the color of the glass finial on one’s hat indicated with precision one’s rank at court; in which the bird or animal embroidered in silk and gold thread on a silken badge indicated a civil or military official’s place in the hierarchy. (Degrees of civil officialdom were represented by birds such as cranes or pheasants, while military rank was indicated by fiercer animals, such as tigers, leopards, lions, and the legendary quilin.)
Book Review: Van Gogh: The Life by Steven Naifeh and Gregory White Smith
by Ed Voves
December 15th, 2011
For an artist who vied with Rembrandt in painting self-portraits, van Gogh seldom allowed himself to be photographed. The one surviving photo, from his days at Goupil’s, shows a scowling, tousled haired young man with troubled, searching eyes. It is the face of a man destined to be a prophet or a lunatic.
Art Review: Transition to Christianity, Onassis Cultural Center, New York City
by Ed Voves
December 13th, 2011
After Christianity was recognized as the official state religion of the Roman Empire in 380, a number of Christian groups, notably monks in Egypt, changed roles from martyrs to persecutors. A magnificent head of Aphrodite, dating to first century Athens, bears the marks of Christian vandalism. The eyes and lips have been chipped to “blind” and “silence” the deity. A cross was then inscribed on the forehead of Aphrodite.
The Weekly Listicle Is Rated NC-17
by Dan Fields
December 2nd, 2011
Censors save the NC-17 rating for extra special cases, and in practice it feels like much less artificial than, say, PG-13. Something about these films transcended the extremely liberal boundaries of the R rating, and in most cases the reasons are still apparent.
Madness and Mesmerism: Charles Deas Revisited
by Holly Hunt
November 14th, 2011
Put as simply as possible, Matthews thought he was being tortured and his thoughts disrupted by remote control, via magnetic currents produced by a machine called the “air loom.” Matthew’s “air loom” was operated by a gang of seven: villainous Bill the King, wisecracking Jack the Schoolmaster, crude Sir Archy, the enigmatic Middle Man, scheming Augusta, poor, maltreated Charlotte, and the sinister Glove Woman, the most skilled operator of the machine.

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