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California Literary Review

Art

Brian Jungen: Strange Comfort at The National Museum of the American Indian

by Alix McKenna

November 3rd, 2009

The first piece you see upon entering is Shapeshifter (2000), an enormous, abstracted whale skeleton built entirely out of white plastic chairs. Jungen’s leviathan is hung in front of a simple black wall and the contrast of colors intensifies its extraordinary power. Shapeshifter has the pristine, flawless texture of a mass produced object, yet somehow feels organic. You can easily imagine the enormous tale with its graceful, individually-carved vertebrae swinging to life.

The Barnes Foundation: Beauty Surrounded by Controversy

by Ed Voves

October 12th, 2009

And what a treasure trove! By the time of his death in 1951, Barnes had purchased 181 works by Renoir, 69 by Cezanne, 7 Van Gogh paintings, 59 works by Matisse, 11 by Degas, 16 by Modigliani, 46 Picasso’s, with 4 apiece by Manet and Monet. He also collected modern American works by William Glackens, Charles Demuth and Maurice and Charles Prendergast. His eclectic tastes extended to African sculptures, European decorative art, American folk art and quirky curiosities like an American Civil War surgeon’s saw.

Ron Arad: No Discipline at MoMA

by Carmela Ciuraru

August 17th, 2009

The experience of viewing “No Discipline,” the first major U.S. retrospective of the virtuosic, Israeli-born designer Ron Arad, is less like seeing an exhibition at the Museum of Modern Art and more like walking through a carnival funhouse. That’s intended as a compliment.

Francis Alÿs: Fabiola at the National Portrait Gallery, London

by Rose Lejeune

July 29th, 2009

Perhaps what fascinated him about these portraits was that they show this urge to create and to communicate through art. More though, Alÿs’ display highlights the ways in which art inhabits a space of its own – outside of museums and critical appraisal. The works he has collected pay homage to the fact that it can be made anywhere, by anyone. The art changes and becomes personalized as it is interpreted and lived by individuals

Vanished Smile: The Mysterious Theft of Mona Lisa by R.A. Scotti

by David Loftus

June 29th, 2009

Not quite a century ago, on August 29, 1911, thousands of people began flocking to the Louvre (among them, Franz Kafka and his friend Max Brod) to gaze at a blank space on a wall. The 49-acre Louvre – still the largest museum in the world today – had been closed for most of the preceding week for the investigation of a singular occurrence: the most famous painting in the world had disappeared from that blank spot.

Satchmo: The Wonderful World and Art of Louis Armstrong by Steven Brower

by David Lida

May 12th, 2009

For someone who radiated pure joy, his beginnings were Deep South Dickensian. Born in New Orleans in August 4, 1901, his unwed mother was a sometime prostitute and his absent father worked in a turpentine factory. As an unsupervised child, he worked unloading boats and selling newspapers on the sidewalk. Evenings, he would stand outside nightclubs and listen to the great trumpet players of the day, including Buddy Bolden and King Oliver, who would later become his mentor.

Cézanne and Beyond at the Philadelphia Museum of Art

by Ed Voves

April 8th, 2009

Matisse, in an essay written many years later for another Philadelphia Museum of Art exhibition, appraised the new approach to art that Cézanne had bequeathed to him and other leading spirits of Modernism. “There is an inherent truth which must be disengaged from the outward appearance of the object to be represented,” Matisse wrote. “This is the only truth that matters …. Exactitude is not truth.”

Rodchenko & Popova: Defining Constructivism, at the Tate Modern, London

by Rose Lejeune

March 31st, 2009

In 1921, the Constructivists announced the end of painting. To mark its passing they held the exhibition ‘5 x 5 = 25’ and declared that they would now only make art for everyday life; Productivism. The Tate has devoted a room to this last exhibition of painting, the highlight of which has to be Rodchenko’s ‘Pure Red Colour, Pure Yellow Colour, Pure Blue Colour’ (1921).

Celebrating Galileo in Florence

by Judith Harris

March 22nd, 2009

2009 is officially “The Year of Astronomy,” commemorating Galilei’s first observation of the Moon through his telescope in November of 1609. Born in Pisa, Galileo Galilei worked in Florence, where the fourth centennial of his discovery is being celebrated with a stunning and sophisticated exhibition which took four years to prepare.

The Fires of Vesuvius: Pompeii Lost and Found by Mary Beard

by Judith Harris

March 3rd, 2009

Nevertheless, in my personal library there are 130 books on Pompeii. Of all these, this is the one I would choose to read first.

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