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> <channel><title>California Literary Review &#187; African American</title> <atom:link href="http://calitreview.com/category/topics/african-american/feed" rel="self" type="application/rss+xml" /><link>http://calitreview.com</link> <description>An arts and culture magazine.</description> <lastBuildDate>Thu, 24 May 2012 17:23:39 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.2</generator> <item><title>100 Greatest Gangster Films: New Jack City, #94</title><link>http://calitreview.com/22338</link> <comments>http://calitreview.com/22338#comments</comments> <pubDate>Thu, 12 Jan 2012 05:05:41 +0000</pubDate> <dc:creator>George Anastasia, Glen Macnow</dc:creator> <category><![CDATA[100 Greatest Gangster Films]]></category> <category><![CDATA[African American]]></category> <category><![CDATA[Movies]]></category> <category><![CDATA[The Fourth Wall]]></category> <category><![CDATA[movie action]]></category> <category><![CDATA[movie crime]]></category> <category><![CDATA[movie drama]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22338</guid> <description><![CDATA[A year after playing the righteous cop out to rid the city of the despicable drug lord in <em>King of New York</em>, Wesley Snipes revisited the urban underworld in Mario Van Peebles’ morality play about the scourge of crack cocaine.]]></description> <wfw:commentRss>http://calitreview.com/22338/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Broadway Review: Alicia Keys&#8217; Stick Fly</title><link>http://calitreview.com/22216</link> <comments>http://calitreview.com/22216#comments</comments> <pubDate>Fri, 16 Dec 2011 03:52:25 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater drama]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22216</guid> <description><![CDATA[This setup abounds with comic potential, and Diamond wrings plenty of laughs out of the awkward dynamics at hand. But there is much more here than just the usual dysfunction junction drollery. The youths, especially Taylor, have a lot to say about the way the world looks now, and much of their criticism is justified.]]></description> <wfw:commentRss>http://calitreview.com/22216/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Book Review: Mightier Than The Sword: Uncle Tom’s Cabin and the Battle for America by David S. Reynolds</title><link>http://calitreview.com/17357</link> <comments>http://calitreview.com/17357#comments</comments> <pubDate>Mon, 13 Jun 2011 12:45:29 +0000</pubDate> <dc:creator>Jeff McMillan</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Books]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[American History]]></category> <category><![CDATA[civil war]]></category> <category><![CDATA[Harriett Beecher Stowe]]></category> <category><![CDATA[nineteenth century]]></category> <category><![CDATA[slavery]]></category> <category><![CDATA[Uncle Tom's Cabin]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=17357</guid> <description><![CDATA[The escalating one-upmanship led to some truly bizarre innovations, such as casting famous boxers in the lead roles. Reynolds described how Peter Jackson, a famous black boxer, figured into the entertainments: “Uncle Tom, between acts or just before dying, would momentarily trade his slave costume for boxing trunks and spar for three rounds with another actor before resuming his tragic role.”]]></description> <wfw:commentRss>http://calitreview.com/17357/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Theater Review: A Free Man of Color Starring Jeffrey Wright</title><link>http://calitreview.com/12877</link> <comments>http://calitreview.com/12877#comments</comments> <pubDate>Wed, 01 Dec 2010 19:11:06 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[A Free Man of Color]]></category> <category><![CDATA[eighteenth century]]></category> <category><![CDATA[Jeffrey Wright]]></category> <category><![CDATA[John Guare]]></category> <category><![CDATA[Lincoln Center Theater]]></category> <category><![CDATA[New Orleans]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12877</guid> <description><![CDATA[Given the grandeur of its lofty aspirations, the play inevitably fails on some levels, like the idea of America itself. But the failure is spectacular, memorable and exciting.]]></description> <wfw:commentRss>http://calitreview.com/12877/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Book Review: Where the Dark and the Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz by Randall Sandke</title><link>http://calitreview.com/9101</link> <comments>http://calitreview.com/9101#comments</comments> <pubDate>Wed, 19 May 2010 14:12:18 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Art Pepper]]></category> <category><![CDATA[Art Tatum]]></category> <category><![CDATA[Artie Shaw]]></category> <category><![CDATA[Benny Goodman]]></category> <category><![CDATA[Charlie Parker]]></category> <category><![CDATA[Coleman Hawkins]]></category> <category><![CDATA[Duke Ellington]]></category> <category><![CDATA[Earl Hines]]></category> <category><![CDATA[Ella Fitzgerald]]></category> <category><![CDATA[Fats Waller]]></category> <category><![CDATA[jazz]]></category> <category><![CDATA[John Coltrane]]></category> <category><![CDATA[louis armstrong]]></category> <category><![CDATA[Wynton Marsalis]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=9101</guid> <description><![CDATA[Sandke offers no critical commentary about this piece of advice that was given Armstrong after he left New Orleans: “When you go up north, be sure and get yourself a white man that will put his hand on your shoulder and say, ‘This is my nigger.’” Nor does he state that there was anything objectionable about black musicians being allowed to play in Storyville brothels and cabarets, but never to be customers. The same went for “black and tan” nightspots like New York’s Cotton Club, where blacks made music and waited tables, while “tan, tall and terrific” showgirls entertained the exclusively white clientele.]]></description> <wfw:commentRss>http://calitreview.com/9101/feed</wfw:commentRss> <slash:comments>6</slash:comments> </item> <item><title>Movie Review: Precious: Based on the Novel &#8220;Push&#8221; by Sapphire</title><link>http://calitreview.com/5483</link> <comments>http://calitreview.com/5483#comments</comments> <pubDate>Wed, 18 Nov 2009 13:25:51 +0000</pubDate> <dc:creator>Zorianna Kit</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Movies]]></category> <category><![CDATA[Movies & TV]]></category> <category><![CDATA[movie drama]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=5483</guid> <description><![CDATA[Comedian Mo’Nique, best known for urban comedies like <em>Phat Girlz</em> and <em>Welcome Home, Roscoe Jenkins</em>, gives such a frightening performance as Mary Jones, the Academy should just hand over the Oscar statuette to her now.  Her scene towards the end when she is confronted by both Precious and Weiss for all her wicked deeds is enough to make your stomach churn.]]></description> <wfw:commentRss>http://calitreview.com/5483/feed</wfw:commentRss> <slash:comments>4</slash:comments> </item> <item><title>Nina Simone: The Biography by David Brun-Lambert</title><link>http://calitreview.com/4410</link> <comments>http://calitreview.com/4410#comments</comments> <pubDate>Wed, 05 Aug 2009 14:24:07 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Biography]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[jazz]]></category> <category><![CDATA[Nina Simone]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=4410</guid> <description><![CDATA[The granddaughter of slaves on both parents’ sides of the family, Simone’s stardom coincided with the civil rights struggle in the U.S. If it is necessary to find a defining moment in her life, it may have come even earlier than the Curtis Institute rejection. At her first public concert, at age ten in Tryon’s Town Hall, her parents were asked to give up their seats to a white couple. The child protested out loud until her father and mother were allowed to stay in their places.]]></description> <wfw:commentRss>http://calitreview.com/4410/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Satchmo: The Wonderful World and Art of Louis Armstrong by Steven Brower</title><link>http://calitreview.com/3167</link> <comments>http://calitreview.com/3167#comments</comments> <pubDate>Tue, 12 May 2009 14:04:18 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Biography]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[jazz]]></category> <category><![CDATA[louis armstrong]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=3167</guid> <description><![CDATA[For someone who radiated pure joy, his beginnings were Deep South Dickensian. Born in New Orleans in August 4, 1901, his unwed mother was a sometime prostitute and his absent father worked in a turpentine factory. As an unsupervised child, he worked unloading boats and selling newspapers on the sidewalk. Evenings, he would stand outside nightclubs and listen to the great trumpet players of the day, including Buddy Bolden and King Oliver, who would later become his mentor.]]></description> <wfw:commentRss>http://calitreview.com/3167/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>A Saint on Death Row by Thomas Cahill</title><link>http://calitreview.com/3076</link> <comments>http://calitreview.com/3076#comments</comments> <pubDate>Mon, 27 Apr 2009 13:46:29 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Biography]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[True Crime]]></category> <category><![CDATA[death penalty]]></category> <category><![CDATA[Dominique Green]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=3076</guid> <description><![CDATA[Dominique’s worst luck was to have been born in Houston, Texas, the principal city of Harris County. Since 1976, Texas has executed more than four times as many prisoners as any other state, and beginning with George W. Bush’s term as governor, it became the death penalty capital of the country. Harris County has committed more people to death than any other in Texas – they’re slap-happy about vengeance.]]></description> <wfw:commentRss>http://calitreview.com/3076/feed</wfw:commentRss> <slash:comments>4</slash:comments> </item> <item><title>Picking Cotton: Our Memoir of Injustice and Redemption</title><link>http://calitreview.com/2887</link> <comments>http://calitreview.com/2887#comments</comments> <pubDate>Fri, 03 Apr 2009 02:08:02 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[True Crime]]></category> <category><![CDATA[Jennifer Thompson]]></category> <category><![CDATA[Jennifer Thompson-Cannino]]></category> <category><![CDATA[picking cotton]]></category> <category><![CDATA[Ronald Cotton]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2887</guid> <description><![CDATA[When confronted with Cotton in a police lineup, Thompson had nary a shred of doubt that he was the man who had violated her. He went to trial and, after conviction, to jail. The only problem was that Cotton was innocent. As DNA evidence would prove eleven years later, Thompson had in fact been raped by a man named Bobby Poole, who served time for other offenses in the same jail as Cotton.]]></description> <wfw:commentRss>http://calitreview.com/2887/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>The Help by Kathryn Stockett</title><link>http://calitreview.com/2526</link> <comments>http://calitreview.com/2526#comments</comments> <pubDate>Sun, 08 Feb 2009 14:59:28 +0000</pubDate> <dc:creator>Elinor Teele</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Fiction Reviews]]></category> <category><![CDATA[Historical Fiction]]></category> <category><![CDATA[jackson mississippi]]></category> <category><![CDATA[Kathryn Stockett]]></category> <category><![CDATA[mississippi]]></category> <category><![CDATA[The Help]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2526</guid> <description><![CDATA[Yet when an author treads into specific territories, the ground becomes awfully muddy. We’re happy to let writers play around with being a Roman slave of the first century or a prostitute of the eighteenth, but when it comes to depicting a person who has lived through the Holocaust or the Civil Rights era, ah, then I think we hesitate. Does an author, even in the services of fiction, have a right to appropriate these stories?]]></description> <wfw:commentRss>http://calitreview.com/2526/feed</wfw:commentRss> <slash:comments>192</slash:comments> </item> <item><title>A Mercy by Toni Morrison</title><link>http://calitreview.com/1895</link> <comments>http://calitreview.com/1895#comments</comments> <pubDate>Tue, 16 Dec 2008 14:17:44 +0000</pubDate> <dc:creator>Elinor Teele</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Fiction Reviews]]></category> <category><![CDATA[A Mercy]]></category> <category><![CDATA[Toni Morrison]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=1895</guid> <description><![CDATA[That’s it. Truly. That’s the plot. But to say that is all there is to it is like saying the Vietnam Memorial is just a black wall. There are an infinite number of stories in this book, with each new character’s narrative throwing light onto unexpected sides of the people we thought we knew. When Morrison takes us into a world, we do not visit it; we inhabit it.]]></description> <wfw:commentRss>http://calitreview.com/1895/feed</wfw:commentRss> <slash:comments>5</slash:comments> </item> <item><title>T. Denean Sharpley-Whiting Discusses Hip Hop&#8217;s Attitude Toward Women</title><link>http://calitreview.com/225</link> <comments>http://calitreview.com/225#comments</comments> <pubDate>Fri, 15 Jun 2007 17:43:42 +0000</pubDate> <dc:creator>Paul Comstock</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Hip Hop]]></category> <category><![CDATA[Snoop Dog]]></category> <category><![CDATA[T. Denean Sharpley-Whiting]]></category> <guid
isPermaLink="false">http://calitreview.com//2007/06/15/t-denean-sharpley-whiting-discusses-hip-hops-attitude-toward-women/</guid> <description><![CDATA["The title was inspired by Snoop Dogg.  It captures the ethos of the new gender politics I explore in the book--which is essentially that women are disposable, exchangeable, throwaway commodities to charismatic males who bond around keeping them “down” or in their place."]]></description> <wfw:commentRss>http://calitreview.com/225/feed</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>Sister Rosetta Tharpe and the British Blues Revival</title><link>http://calitreview.com/214</link> <comments>http://calitreview.com/214#comments</comments> <pubDate>Mon, 11 Jun 2007 20:52:46 +0000</pubDate> <dc:creator>Gayle F. Wald</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Great Britain]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[blues]]></category> <category><![CDATA[Rock and Roll]]></category> <guid
isPermaLink="false">http://calitreview.com//2007/06/11/sister-rosetta-tharpe-and-the-british-blues-revival/</guid> <description><![CDATA[Interest in Rosetta in Britain was part and parcel of a larger trend: the postwar blues revival, which saw the emergence of a white public who “sought a heightened reality in the realm of black American song.”]]></description> <wfw:commentRss>http://calitreview.com/214/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>
