This week’s premise – “A Different House,” in which we see House caring for a patient as he never has before – is a bit oversold. Pretty much, House stands up for a teenage runaway’s right to hate her pill-popping mother and make a life without her. Though, to the writers’ credit, the parallels with House’s own father issues aren’t pushed too hard.

This article is filed under Television, The Fourth Wall.

A recap/review of Alcatraz, Season 1, Episode 4, Cal Sweeney

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Acting, directing, and writing awards are the most popular targets for discussion, but there were more very creative folks left off the roll this year. Two aggressively original outsiders are out in the rain, peeping in at the Best Original Score category without so much as an acknowledgment.

This article is filed under Best Movies, Movies, Music, The Fourth Wall.

Albert, says Garcia, is “beyond the closet.” It doesn’t matter what his sexual orientation is (or isn’t), nor does it even particularly matter his gender. In the end, he’s just a human being striving to be happy, and we can identify with that.

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The heist movie is one of the most beloved genres in cinema and its great legacy is tarnished by films like Man on a Ledge.

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But there’s a lot of energy and creativity in El Mariachi. Rodriguez has gone on to become a popular and successful director. Watching this film gives you the sense of watching a rock star back when he was in a neighborhood garage band.

This article is filed under 100 Greatest Gangster Films, Hispanic American, Movies, The Fourth Wall.

Our thoughts on the Oscar nominations

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A recap/review of Alcatraz- Season 1, Episode 3: Kit Nelson

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So, here we are, back at Princeton-Plainsboro. House still has an ankle monitor, Dr. Chi Park still has an interestingly spiky personality, Dr. Jessica Adams still doesn’t have much personality at all. Taub is absent this week, attributed to a sick daughter. House makes a Taub-is-short joke about how he’s got Taub in his backpack.

This article is filed under Television, The Fourth Wall.

But when you wear your heart on your sleeve, you risk the audience recognizing that it’s as fake as the Tin Man’s, and Loud goes so far in the wrong direction that it almost becomes a comedy. By the halfway point, you’re no longer watching the magic act, you’re enjoying the magician fumbling with the deck of cards.

This article is filed under Movies, Movies & TV.