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	<title>California Literary Review &#187; Movies &amp; TV</title>
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	<link>http://calitreview.com</link>
	<description>Book reviews, essays, and author interviews.</description>
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		<title>Movie Review: Alice in Wonderland</title>
		<link>http://calitreview.com/7283</link>
		<comments>http://calitreview.com/7283#comments</comments>
		<pubDate>Sat, 06 Mar 2010 17:03:58 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Alice in Wonderland]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[Crispin Glover]]></category>
		<category><![CDATA[Helena Bonham Carter]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Lewis Carroll]]></category>
		<category><![CDATA[movie family]]></category>
		<category><![CDATA[movie fantasy]]></category>
		<category><![CDATA[Tim Burton]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=7283</guid>
		<description><![CDATA[The mythology behind the Wonderland books is so complex, there are sure to be disappointed diehards, but <em>Alice in Wonderland</em> is a fun reinterpretation of the stories so many of us grew up reading and watching. It is easily the most visually impressive release since <em>Avatar</em>, and though it’s by no means Burton’s best movie, it is among his better ones.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Crazies</title>
		<link>http://calitreview.com/7109</link>
		<comments>http://calitreview.com/7109#comments</comments>
		<pubDate>Sat, 27 Feb 2010 17:03:42 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie horror]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=7109</guid>
		<description><![CDATA[Horror film is enduring a period of what some would call “rejuvenation” and others would dub “total lack of imagination.” Good new horror is hard to find and recent remakes have been totally hit-or-miss. This weekend’s <em>The Crazies</em> is based on a 1973 George Romero film of the same name. This version, directed by Breck Eisner, shares basic plot points and characters, but it outdoes the mediocre-to-awful original by far.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Shutter Island</title>
		<link>http://calitreview.com/6820</link>
		<comments>http://calitreview.com/6820#comments</comments>
		<pubDate>Sat, 20 Feb 2010 17:04:36 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Dennis Lehane]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[movie drama]]></category>
		<category><![CDATA[movie noir]]></category>
		<category><![CDATA[movie thriller]]></category>

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		<description><![CDATA[Martin Scorsese’s newest picture <em>Shutter Island</em> is a creepy cinematic passage into paranoia, guilt, and insanity—a classic thriller with undertones of gothic romance and the failed American dream. The trailers, which anyone who’s taken in a movie in the last year has seen, reveal little but hint at a lot. Fortunately, the movie is a great watch even if the conclusion may leave some audiences grumbling. ]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Wolfman</title>
		<link>http://calitreview.com/6526</link>
		<comments>http://calitreview.com/6526#comments</comments>
		<pubDate>Sat, 13 Feb 2010 17:01:30 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[Benicio Del Toro]]></category>
		<category><![CDATA[Emily Blunt]]></category>
		<category><![CDATA[Joe Johnston]]></category>
		<category><![CDATA[movie horror]]></category>

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		<description><![CDATA[Werewolves in cinema have had many incarnations, but most modern lore stems from the 1941 Universal picture <em>The Wolf Man</em>. The unforgettable image of a monstrously deformed Lon Chaney, Jr. thrusting out his chest, baring his claws, and baying at the full moon is one of Hollywood’s most lasting. Director Joe Johnston’s <em>The Wolfman</em>, also a Universal production, is a pitch-perfect reboot of the classic horror movie. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: From Paris With Love</title>
		<link>http://calitreview.com/6337</link>
		<comments>http://calitreview.com/6337#comments</comments>
		<pubDate>Sat, 06 Feb 2010 17:00:59 +0000</pubDate>
		<dc:creator>William Bibbiani</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[John Travolta]]></category>
		<category><![CDATA[Luc Besson]]></category>
		<category><![CDATA[movie action]]></category>
		<category><![CDATA[Pierre Morel]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=6337</guid>
		<description><![CDATA[Structural difficulties, failed attempts at levity and below-par action sequences would be bad enough, but sadly <em>From Paris with Love</em> also has a noticeably sexist undercurrent to its detriment, giving what would normally have simply been a bland meal a genuinely unpleasant aftertaste.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: Legion</title>
		<link>http://calitreview.com/6224</link>
		<comments>http://calitreview.com/6224#comments</comments>
		<pubDate>Sat, 23 Jan 2010 17:03:55 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Doug Jones]]></category>
		<category><![CDATA[movie horror]]></category>
		<category><![CDATA[Paul Bettany]]></category>

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		<description><![CDATA[According to the script, God has lost faith in humanity, ostensibly because he grew “tired of all the BS.” Thus He orders the angels to exterminate mankind—just to switch it up a bit, since last time He went with a flood. The angel Michael (Paul Bettany) disagrees with God’s order and falls from heaven to save the human race. Michael chooses a tiny town called Paradise Falls (a clever but gauche touch of Dante), at the edge of the Mojave desert, in which to prove that humans are worth saving.]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Lovely Bones</title>
		<link>http://calitreview.com/6163</link>
		<comments>http://calitreview.com/6163#comments</comments>
		<pubDate>Sat, 16 Jan 2010 17:06:18 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Alice Sebold]]></category>
		<category><![CDATA[Mark Wahlberg]]></category>
		<category><![CDATA[Michael Imperioli]]></category>
		<category><![CDATA[movie drama]]></category>
		<category><![CDATA[Peter Jackson]]></category>
		<category><![CDATA[Rachel Weisz]]></category>
		<category><![CDATA[Saoirse Ronan]]></category>
		<category><![CDATA[Stanley Tucci]]></category>

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		<description><![CDATA[The novel opens with a striking, abrupt proclamation: “My name is Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.” After her murder, Susie watches from the Inbetween, a kind of non-Christian purgatory, as her family struggles with her death. Jackson, whose visionary filmmaking has earned him massive acclaim in the past, creates a heaven of brilliant, surreal landscapes in which Susie and her fellow dead frolic.]]></description>
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		<slash:comments>18</slash:comments>
		</item>
		<item>
		<title>The 10 Best Movies of the Decade (2000-2009)</title>
		<link>http://calitreview.com/5991</link>
		<comments>http://calitreview.com/5991#comments</comments>
		<pubDate>Fri, 01 Jan 2010 15:51:33 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Best Movies]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5991</guid>
		<description><![CDATA[Wong Kar-wai’s beautiful tone poem is an ode to unrequited and impossible love. Its brilliant color scheme, gorgeous costumes, unforgettable cinematography, and heart-wrenching violin score harmonize to create a film that seethes with romance, melancholy, and the allure of the impossible.]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>The Top 10 Movies of 2009</title>
		<link>http://calitreview.com/5951</link>
		<comments>http://calitreview.com/5951#comments</comments>
		<pubDate>Tue, 29 Dec 2009 15:09:03 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[Best Movies]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5951</guid>
		<description><![CDATA[At the end, she’s back at square one leading the student life, but inside, she’s grown exponentially. Life is cruel, life is not fair but life truly is beautiful. One of the best coming of age films of all time. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Nine</title>
		<link>http://calitreview.com/5905</link>
		<comments>http://calitreview.com/5905#comments</comments>
		<pubDate>Sat, 26 Dec 2009 16:34:52 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[Fellini]]></category>
		<category><![CDATA[Kate Hudson]]></category>
		<category><![CDATA[Marion Cotillard]]></category>
		<category><![CDATA[movie musical]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<category><![CDATA[Penelope Cruz]]></category>
		<category><![CDATA[Rob Marshall]]></category>

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		<description><![CDATA[Marshall apparently strove for the early 60s New Wave Cinema feel, which relied heavily on shaky camerawork and frenetic editing—except during musical numbers, which are proscribed so heavily as to be cloying. As the filmmakers strove to pay homage to 1960s Italian cinema, they lost the meaning behind the art, leaving a messy result.]]></description>
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		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Movie Review: Sherlock Holmes</title>
		<link>http://calitreview.com/5917</link>
		<comments>http://calitreview.com/5917#comments</comments>
		<pubDate>Sat, 26 Dec 2009 14:57:45 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Guy Ritchie]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[movie action]]></category>
		<category><![CDATA[movie mystery]]></category>
		<category><![CDATA[Robert Downey Jr.]]></category>
		<category><![CDATA[Sherlock Holmes]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5917</guid>
		<description><![CDATA[Ritchie, whose previous films <em>Lock, Stock and Two Smoking Barrels</em> and <em>Snatch</em> are cult favorites, brings a violent and adventuresome sensibility to the often sedate Holmes. Conan Doyle’s legend left behind a mental image, compounded by pop culture, of a rather mellow English gentleman in a deerstalker hat, puffing on a pipe and wandering about a crime scene with avidly shining eyes. Ritchie’s version of Holmes, played impeccably by Robert Downey, Jr., is these things but also much more: a bare-knuckle boxer, a martial artist, a loyal friend, and an occasional lover of women. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Avatar</title>
		<link>http://calitreview.com/5867</link>
		<comments>http://calitreview.com/5867#comments</comments>
		<pubDate>Sat, 19 Dec 2009 17:19:34 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[movie science fiction]]></category>

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		<description><![CDATA[The story and script fail to create multifaceted characters, sticking instead to the inherent malevolence of military invasion and corporate America’s insatiable appetite for resources and money. In our current time of war and economic instability, these are significant social issues, but the film handles them ham-handedly, pitting stock characters against one another in an epic moral (and physical) battle between conservation and greed.]]></description>
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		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Princess and the Frog</title>
		<link>http://calitreview.com/5808</link>
		<comments>http://calitreview.com/5808#comments</comments>
		<pubDate>Sat, 12 Dec 2009 03:25:53 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie animated]]></category>
		<category><![CDATA[movie family]]></category>

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		<description><![CDATA[Cinderella and Snow White are famously hardworking Disney princesses, but they were enslaved as a punishment for their beauty (notably by jealous older women), and their stories culminate in finding Prince Charming. Tiana’s work ethic comes from her desire to be independent and build her own destiny—wonderful traits to offer today’s little girls.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: A Single Man</title>
		<link>http://calitreview.com/5778</link>
		<comments>http://calitreview.com/5778#comments</comments>
		<pubDate>Fri, 11 Dec 2009 03:27:17 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[Gay and Lesbian]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5778</guid>
		<description><![CDATA[Based on Christopher Isherwood’s novel, the film is set in the 1960s and takes place over the course of one day. It follows George (Firth), a gay professor who decides he can no longer continue living with the heartbreak of having tragically lost his longtime partner (Matthew Goode). In what is his last day on Earth, George spends it tying up loose ends without letting anyone know his real plan.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: Fantastic Mr. Fox</title>
		<link>http://calitreview.com/5589</link>
		<comments>http://calitreview.com/5589#comments</comments>
		<pubDate>Thu, 26 Nov 2009 00:27:39 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie animated]]></category>
		<category><![CDATA[movie family]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5589</guid>
		<description><![CDATA[<em>Fantastic Mr. Fox</em> is a pleasant return to classic stop-motion animation, a technique little used anymore. The film went through a long and rigorous production beginning five years ago, and the result is well, fantastic. The sets are beautifully detailed, the puppets’ every hair defined, and each movement is choreographed lovingly.]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Private Lives of Pippa Lee</title>
		<link>http://calitreview.com/5559</link>
		<comments>http://calitreview.com/5559#comments</comments>
		<pubDate>Wed, 25 Nov 2009 14:51:03 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie chick flick]]></category>
		<category><![CDATA[movie drama]]></category>

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		<description><![CDATA[Robin Wright plays Pippa, a beautiful, pastel-clad homemaker nearing her 50s. As the movie opens, her much older husband Herb (lovably gruff Alan Arkin) drags her into a retirement community with him, and Pippa’s seemingly flawless exterior begins to unravel. The film hops back and forth between the present, in which Pippa and Herb’s relationship begins to crack and crumble, and the past, in which we’re introduced to Pippa Sarkissian, a very different young woman who tenaciously molded her life into the guarded perfection of the present.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Me and Orson Welles</title>
		<link>http://calitreview.com/5552</link>
		<comments>http://calitreview.com/5552#comments</comments>
		<pubDate>Wed, 25 Nov 2009 04:20:26 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5552</guid>
		<description><![CDATA[Based on the novel by Richard Kaplow, <em>Welles</em> stars Efron as Richard Samuels, a student and budding actor who gets swept up in the world of theater when he is cast in a small role in Orson Welles’ 1937 production of <em>Caesar</em>.  Young and naïve, Richard tries hard to navigate through Welles’ tantrums, mind-games and mood-swings that range from charming to tyrannical.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: New Moon</title>
		<link>http://calitreview.com/5527</link>
		<comments>http://calitreview.com/5527#comments</comments>
		<pubDate>Sat, 21 Nov 2009 04:54:44 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>
		<category><![CDATA[movie fantasy]]></category>
		<category><![CDATA[vampires]]></category>

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		<description><![CDATA[The movie positively drags at two hours eleven minutes; when the kids at the front of the theater start chatting amongst themselves during the “tense” final scenes, something’s not right. ]]></description>
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		<slash:comments>21</slash:comments>
		</item>
		<item>
		<title>Movie Review: Precious: Based on the Novel &#8220;Push&#8221; by Sapphire</title>
		<link>http://calitreview.com/5483</link>
		<comments>http://calitreview.com/5483#comments</comments>
		<pubDate>Wed, 18 Nov 2009 13:25:51 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[African American]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5483</guid>
		<description><![CDATA[Comedian Mo’Nique, best known for urban comedies like <em>Phat Girlz</em> and <em>Welcome Home, Roscoe Jenkins</em>, gives such a frightening performance as Mary Jones, the Academy should just hand over the Oscar statuette to her now.  Her scene towards the end when she is confronted by both Precious and Weiss for all her wicked deeds is enough to make your stomach churn.]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Movie Review: Pirate Radio</title>
		<link>http://calitreview.com/5426</link>
		<comments>http://calitreview.com/5426#comments</comments>
		<pubDate>Sat, 14 Nov 2009 16:22:50 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Richard Curtis]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5426</guid>
		<description><![CDATA[Aside from the lack of a true protagonist, a number of small story arcs fall a bit flat, and the film may be a bit long at over two hours. However, a hilarious cast, a few genuinely poignant moments, and a slightly silly but ultimately uplifting end save the plot from disaster. The brilliant cast and funny script make for a fine film that probably won’t enjoy the sort of release it deserves in America—which is unfortunate, since it’s exactly the kind of movie whose heart and ingenuity should trump trashy big budget disaster movies at the box office.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Movie Review: The Men Who Stare at Goats</title>
		<link>http://calitreview.com/5318</link>
		<comments>http://calitreview.com/5318#comments</comments>
		<pubDate>Sat, 07 Nov 2009 14:16:37 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[movie comedy]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5318</guid>
		<description><![CDATA[Imagine a world in which the military trains soldiers not to kill enemies of the state, but to infiltrate their minds with the Jedi mind trick. A different political and military climate in which soldiers in camo sport long hair, have dance parties, and hold daisies in their hands. A military unit in which recreational drugs enhance the training, where drills include psychic exercises and the Privates’ chakras are open to the world. Grant Heslov’s <em>The Men Who Stare at Goats</em> plops the audience into this seemingly alternate universe with the admonition that “more of this is true than you would believe.”]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Movie Review: The Maid</title>
		<link>http://calitreview.com/5225</link>
		<comments>http://calitreview.com/5225#comments</comments>
		<pubDate>Sun, 01 Nov 2009 18:19:29 +0000</pubDate>
		<dc:creator>Germein Linares</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie art film]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5225</guid>
		<description><![CDATA[It’s in this last third of the film that Catalina Saavedra’s performance as Raquel carries the film to excellence. Raquel’s character could easily have devolved into caricature. Instead, Saavedra allows her to experience these newly discovered truths with equal measures of joy and regret. Often, it’s just a face – a momentary expression of the eyes and mouth – that say so much about Raquel’s life in the shadows, the years lost to servitude.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Movie Review: Paranormal Activity</title>
		<link>http://calitreview.com/5136</link>
		<comments>http://calitreview.com/5136#comments</comments>
		<pubDate>Sat, 24 Oct 2009 16:02:36 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie horror]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5136</guid>
		<description><![CDATA[The film falls short by arranging a regrettably thin layer of spooky occurrences beneath a thicker deposit of badly acted exposition and obnoxious characters. The couple and all secondary characters are total unknowns, which fits with the idea that audiences are privy to the lives of everyday citizens. The problem lies in the movie’s inability to create believable tension.]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Movie Review: Amelia</title>
		<link>http://calitreview.com/5108</link>
		<comments>http://calitreview.com/5108#comments</comments>
		<pubDate>Fri, 23 Oct 2009 12:59:05 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Amelia Earhart]]></category>
		<category><![CDATA[movie biopic]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5108</guid>
		<description><![CDATA[Furthermore, Nair chooses to play it safe by directing an uninspiring paint-by-numbers biopic complete with voice-overs from the now dead Amelia (“We all have ocean’s to fly…”), montages to speed up time, black-white newsreel footage to add authenticity, and the flashing of newspaper headlines to show historical significance. One would think that Nair’s beautiful Bollywood films would have brought some magic touch to this very American story.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Where the Wild Things Are</title>
		<link>http://calitreview.com/5033</link>
		<comments>http://calitreview.com/5033#comments</comments>
		<pubDate>Sat, 17 Oct 2009 15:38:45 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Maurice Sendak]]></category>
		<category><![CDATA[movie family]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5033</guid>
		<description><![CDATA[Although studios balked at the film’s maturity, believing it might be too scary for children, it will appeal to kids and adults alike. Inside all of us there’s a child who yearns to break free, and the film’s beauty lies in its ability to portray unrefined human emotion and the vastness of the imagination. Expect Jonze’s <em>Where the Wild Things Are</em> to ignite the minds of generations to come; spending 90 minutes inside a child’s mind has never felt so cathartic and enchanting. ]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Movie Review: Zombieland</title>
		<link>http://calitreview.com/4897</link>
		<comments>http://calitreview.com/4897#comments</comments>
		<pubDate>Sat, 03 Oct 2009 15:29:07 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>
		<category><![CDATA[movie horror]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4897</guid>
		<description><![CDATA[<em>Zombieland</em> elicits comparison to both the Brit “romzomcom” (romantic zombie comedy) and <em>Dawn of the Dead</em> (1978). But though it’s alternately a comedy, a romance, a gorefest, and a buddy road-trip movie, <em>Zombieland</em> unravels many of the threads that make up the zombie genre. A good ensemble cast (three up-and-comers and the always-humorous Harrelson), great makeup effects, and fantastic writing create a lighthearted, fun homage to the classic undead movies of yore.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Informant!</title>
		<link>http://calitreview.com/4807</link>
		<comments>http://calitreview.com/4807#comments</comments>
		<pubDate>Sat, 19 Sep 2009 15:43:39 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4807</guid>
		<description><![CDATA[Perhaps the most ingenious part of Whitacre’s affect (and the film) is his stream-of-consciousness inner monologue. He wonders about tie patterns, spews factoids about polar bears, and wrestles with the German language as he bumbles deeper into an FBI investigation he instigated. Whitacre is the ultimate unreliable narrator—someone whose world is entirely in his head, and whose actions are simply inconsequential.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: 9</title>
		<link>http://calitreview.com/4721</link>
		<comments>http://calitreview.com/4721#comments</comments>
		<pubDate>Sat, 12 Sep 2009 02:09:51 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie animation]]></category>
		<category><![CDATA[movie science fiction]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4721</guid>
		<description><![CDATA[The film is truly gorgeous to behold. Starz Animation has officially given Pixar a run for its money. Each surface is textured minutely; the film feels so real the audience could almost reach into the screen and scoop up a stitchpunk for themselves. The spooky brain monster against which the creatures must defend themselves is reminiscent of the machines in <em>The Matrix</em>—a glowing, glaring red eye centered in a mass of metallic tentacles. Though the voice actors are talented, the dialogue is few, far between, and unimportant to the film’s plot. This movie is eye candy.]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Movie Review: The September Issue</title>
		<link>http://calitreview.com/4684</link>
		<comments>http://calitreview.com/4684#comments</comments>
		<pubDate>Tue, 08 Sep 2009 19:39:18 +0000</pubDate>
		<dc:creator>Brenna E. Fitzgerald</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[movie documentary]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4684</guid>
		<description><![CDATA[From pink to black and from Paris to Bryant Park, this flashy documentary by R.J. Cutler (<em>The War Room</em>) lets us peep behind the veil of <em>Vogue</em> and glimpse into both the goblins and the glory of glamour.  Following the magazine’s steadfast fury to produce its largest page-count ever in 2007 (a whopping 840), we see what it takes to work for a high-end fashion publication, but more importantly we get a portrait of the ice-queen in charge.]]></description>
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		<item>
		<title>Movie Review: Taking Woodstock</title>
		<link>http://calitreview.com/4617</link>
		<comments>http://calitreview.com/4617#comments</comments>
		<pubDate>Sat, 29 Aug 2009 01:32:38 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Demetri Martin]]></category>
		<category><![CDATA[movie dramedy]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4617</guid>
		<description><![CDATA[Though his oeuvre includes everything from melodrama to martial arts, Lee’s most endearing projects are intimate, sensible, plausible stories about people who might as well be your parents, your friends, or your schoolteacher. <em>Taking Woodstock</em> is based firmly in reality, but the film isn’t about one character’s journey: it’s a coming-of-age story about America.]]></description>
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		<slash:comments>0</slash:comments>
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