Enrico Bandello was the prototype for every film gangster who followed. The tight-fitting three-piece suits, the high-collared shirt and tie, the fedora and the ever-present cigar—Rico brought it all to the big screen. There was also the tough-guy lingo, usually delivered out of the side of the mouth.
Movies & TV
May 24th, 2013
May 23rd, 2013
There are references to Hawthorne, Shakespeare and James Joyce. Conversely, and while we didn’t keep count, the IMDb website notes that the film also includes 237 uses of the word “fuck” or its derivatives. According to IMDb, that’s the most ever in a film that won the Best Picture Oscar.
by Julia Rhodes
May 22nd, 2013
To Don, every woman is either a mother figure or a whore. If Don isn’t in control, no one is. He lost his virginity to a whore (no surprise), he’s sleeping with a woman now who doesn’t really want to be his whore (no surprise), and he’s got some mommy issues to work through (really no surprise).
May 22nd, 2013
One of the reasons the movie works so well is the interplay between Pacino and Johnny Depp, who established himself as more than just a pretty-boy actor with his performance here as Joe Pistone. Using the undercover name Donnie Brasco (a name Pistone “borrowed” from a cousin), the street-smart, New Jersey-raised FBI agent manages to infiltrate a major New York crime family by posing as a jewel thief and hustler who knows how to make money.
May 21st, 2013
The genesis of this complex thriller was a magazine article, or—more accurately—the headline of an article. Director Bryan Singer was thumbing through Spy magazine in 1992 when he turned to a story entitled, “The Usual Suspects” after Claude Rains’ classic line in Casablanca. Hmm, thought Singer. Now that would make a good title for a movie.
May 21st, 2013
Season 1 has progressed in such a way that it’s like the show is trying to write itself out of the corner it painted itself in in the “Pilot.” If the series wants to completely reboot itself every year, I’d find that almost admirable.
May 20th, 2013
In the opening shot of Casino, a man in a salmon-colored sports jacket climbs into his Lincoln Continental. He turns the key and the car explodes. Then, as director Martin Scorsese explains it, “You see him in slow motion, flying over the flames—like a soul about to take a dive into hell.”
May 19th, 2013
Still, there’s something beyond the stereotypes and the arcane movie talk that makes this a great film. For one, the story it tells remains—as it was then—the American dream come to life: an immigrant from humble beginnings gets the money, gets the power, gets the women. The bad guy has always mesmerized audiences, and Muni is as magnetic as Robert De Niro and Al Pacino were a half-century later.
May 18th, 2013
Once Upon a Time in America tells the lifelong tale of a clan of Jewish mobsters. It has two main chapters—set in 1920 and 1933—plus a third chapter, set in 1968. Each chapter deals with power and sex and treachery.
May 17th, 2013
He’s a highly efficient—but in many ways naïve—hit man who drinks milk, exercises religiously and seems obsessed with the care and maintenance of a houseplant. She’s a 12-year-old who smokes, curses and is wise way beyond her years. Together they form an unlikely crime team in this fascinating and unusual look at the New York underworld.
May 17th, 2013
“Finale” is about bringing them all together for one last hurrah, and it works emotionally and comically. Unlike “Goodbye Michael,” which was really farewell Steve Carell, this episode says good-bye to Jim Halpert, not John Krasinski; Stanley Hudson, not Leslie David Baker; and Creed Bratton, not Creed Bratton.
May 16th, 2013
By the end, Star Trek Into Darkness ends up feeling too much like a retread of the first feature without offering anything unique or different stylistically or intellectually. The characters are still likable, Abrams (and crew) knows that we like the characters, and Abrams (and crew) clearly likes the characters. Even Scotty’s little green friend returns. That pleasantness can and does cover up many flaws, even if certain moments dance dangerously close to cutesy and irritating.
May 16th, 2013
One of the best things about watching Mean Streets more than 30 years after its debut is that you know what’s coming after this. And so you look and you watch and you listen for little signs—small scenes that are the roots and the seedlings of the Scorsese/De Niro oeuvre.
May 15th, 2013
Reservoir Dogs is an action film without much action. A crime drama in which you never see the main crime take place. A comedy that makes you sometimes feel uneasy about laughing. A buddy movie where the buddies end up killing each other.
May 14th, 2013
There are a lot of interesting concepts operating within Revolution‘s borders. Unfortunately, it rarely makes proper use out of any of them. As the season progresses, it’s hard to not be increasingly disappointed by the potential it has squandered in favor of frustrating redundancy.
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