Quantcast

California Literary Review

Fiction Reviews

Love and Summer by William Trevor

by

November 19th, 2009

Why is it that summer can never last forever, especially when we want it to? The once long and amorous days wane too soon in circumscription. A small chill creeps down from the hills. Something is about to end. Then someone leaves town. Someone always leaves town.

The Lacuna by Barbara Kingsolver

by

November 17th, 2009

Even so, to hold The Lacuna in one’s hand, to read it, is to witness and experience years of distilled effort and research. Like Diego Rivera’s murals, it is a lager-than-life work full of color, life, and movement, one executed by a masterful artist at the height of her creative powers.

Under the Dome by Stephen King

by

November 10th, 2009

Still, despite the ending, this is King’s best work in years, a richly textured novel of people under pressure that will move readers and provoke them and make them want to tell their friends. Forget Blaze and Duma Key, the King is back. Long live the King.

The Scarpetta Factor by Patricia Cornwell

by

November 4th, 2009

She’s developed an enjoyable way of beginning novels in the middle of a story, letting her audience watch the characters carry out conversations and actions which they don’t yet understand, but which will be unravelled as the book continues. This must be an even harder trick than it looks, and The Scarpetta Factor is driven by the reader’s need to find out what the heroes know, as well as what the villains have done.

The Child Thief by Brom

by

October 26th, 2009

There are moments of genuine mystery and magic, scenes where we are bedazzled and terrified simultaneously. The walk through the mist, crunching on the bones of those who strayed from the path has a Tolkienian resonance. The bloody battles that Peter leads in the real world echo those in the enchanted world. And the myth of the Horned One, who is Peter’s father, overshadows everything. For Peter is an immortal wild child who may look mostly human but who is decidedly something … other.

Vanessa and Virginia by Susan Sellers

by

October 20th, 2009

As a cultural, literary, and historical icon, Virginia Woolf was celebrated by contemporaries and has continued to fascinate audiences long after her death. And why not? Her strong individualistic streak, perhaps anachronistic during her lifetime, fits in well with our post-feminist culture, and her ability to render life in intimate, almost cinematic detail has inspired writers for ages.

The Bigness of the World by Lori Ostlund

by

October 13th, 2009

The Bigness of the World, Ostlund’s first collection of short stories, was good enough for the judges of the Flannery O’Connor Award for Short Fiction. She won the prize in 2008. Deservedly so, for Ostlund has an ear, an appendage often ignored by writers in favor of the flashier eye. Alive to the subtext of the everyday, she uses flat conversations as a front for complicated back-stories…

The Glass Room by Simon Mawer

by

October 1st, 2009

Mawer’s The Glass Room is a genuine intellectual achievement—a breath-taking story of love and its loss, of art and lost art, of wars lost and then won and lost again, of rich gentleman Jews and Jews lost to Nazi madness. His broad canvas covers the decades of Mittel-European horrors that began in Czechoslovakia in the 1930s. The themes are familiar, but treated in a fresh and stimulating, not to say disturbing, way.

The Twelve by William Gladstone

by

September 14th, 2009

This novel follows the exploits of intellectual and spiritual wunderkind Max Doff who, even as an infant, clearly was set apart from the rest of humanity. He’s destined for greatness along the lines of the Buddha and other prophets. During a near-death experience from a severe case of the flu at age 15, Max has a vision in his euphoric delirium that he can’t quite make sense of yet, but it reveals to him the names of twelve people…

Stitches: A Memoir by David Small

by

September 9th, 2009

But, as we see in the terrifying drawings of his radiologist father giving him neck adjustments—“kkrraackk,” and shots and enemas and even treating David’s sore throats and sinus condition with radiation, his escape is just another trap. The quiet horror of the cropped image of David’s face, just his eyes, nose, and part of his mouth, seen as he might have seen himself while lying on a table, looking up at his reflection in the metal surface of a piece of medical equipment, will stay with you long after you finish the book.

Little Bird of Heaven by Joyce Carol Oates

by

September 8th, 2009

Krista and Aaron eventually do meet, in a shocking incident that leaves little space for spoken words. What Aaron does to Krista and how Krista responds – these are not things that can be easily classified. They are the actions and responses of broken souls. And broken souls don’t have the energy to behave appropriately.

The Big Machine by Victor LaValle

by

September 3rd, 2009

The Big Machine is what urban fantasy looks like when it’s grown up and the writer isn’t relying on paranormal clichés to flesh out an epic tale of good versus evil. Not that you can pigeon-hole this novel—it’s a dizzying slipstream mashup of genres and memes and tropes and legends wrapped around a cross-cultural love story. This is a story that has depth, richness; a heart and a soul. Above all, it has a soul.

Homer & Langley by E.L. Doctorow

by

August 31st, 2009

Sing in me, Muse quotes Homer (the original one). “Jacqueline, my muse, I speak to you directly for a moment,” quoth our modern man. It is no accident that Homer addresses his story to a French reporter whom he briefly met. For, in a way, his account is his own universal newspaper, an elegy to the disintegration of 20th century America, the winding down of the clock.

The Earth Hums in B Flat by Mari Strachan

by

August 25th, 2009

She sees faces in the flaking walls of the kitchen, fears for the soul of a matriarch’s fox fur, and interprets the ever-changing moods of the decorative beer steins on the mantle. Gwenni is a contradictory combination of fearlessness and naiveté, unable to discern the boundary between her imaginative world and the real one. In this way, she recalls such classic girl heroines as Anne of Green Gables or Jo from Little Women. But it’s her similarity with another classic heroine, Nancy Drew, which really draws readers into her world.

The Language of Bees by Laurie R. King

by

August 20th, 2009

Most of the narratives are first-person accounts by Mary, so readers get to know her very well. She is a strong, resourceful, intelligent, and fascinating character in her own right. Sometimes, she can seem a little too perfect: she speaks ancient Greek, Latin, and Hebrew (from her theology studies), French and German, and manages to pick up a good speaking ability in Arabic and Hindi during their adventures overseas. Her throwing arm has deadly accuracy, and on occasion she uses it to great effect with knives, darts, or just rocks. She is a great picker of locks.

Get The Latest California Literary Review Updates Delivered Free To Your Inbox!

Powered by FeedBlitz

Recent Comments: