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California Literary Review

Fiction Reviews

Light of the Moon by Luane Rice

by Elinor Teele

February 25th, 2008

Femi-lit doesn’t make as many headlines as its younger sister, but it shares certain familial traits. The protagonist is usually a woman in her thirties or forties, intelligent, independent, and confronted with the crises that arise in one’s middle years – the aftermath of a divorce, the death of a parent, a loveless relationship, the seesaw of work and family, the lack of a child. And as with chick lit, it is often love or a change of place that proves the catalyst for change.

Diary of a Bad Year by J. M. Coetzee

by Garan Holcombe

February 6th, 2008

His cold restraint, often criticized, is the source of his tremendous power as a novelist. His themes—displacement, power, the value of literature, the fictive possibilities of personal history—are worked and reworked into novels which shine hard like diamonds, unbreakable.

The Collected Short Stories of Louis L’Amour

by Elinor Teele

January 30th, 2008

If you meet a quiet, rugged kind of a fella with an almost superhuman knowledge of tracking, botany, and the lawful ways of the West, don’t challenge him in a gunfight. You’ll lose. Keep an eye out for smooth-talking, rich, and handsome men. They’re not to be trusted and they never end tidily. But a trim girl with smiling eyes who knows how to ride a horse, be she a reformed prostitute or a rancher’s daughter…well, expect to see her settling down any day now.

Morning and Evening Talk by Naguib Mahfouz

by Elinor Teele

January 22nd, 2008

Reading these medieval entries can be as exciting as perusing annotated bibliographies at times, since the authors must restrict their scope and still cover important points: years of birth and death, full name and an explanation of its genealogy, ethnicity, education, occupation, and moral probity. What lifts them beyond the mundane is the inclusion of a telling anecdote, a quirky personality trait, a defining event, an obituary made literary.

The Flawless Skin of Ugly People by Doug Crandell

by Garan Holcombe

December 17th, 2007

Hobbie suffers from acne vulgaris, which has forced him into a retreat from life. ‘Other than work, I rarely go out, avoiding people as much as possible. I shop the 24-hour Wal-Mart, rent movies from the Internet, and basically stay hidden as much as I can. Having to endure people’s stares is what has made my jobs so tortuous. Sometimes I dream about pulling on this magical mask that makes my face flawless.’

My Thousand & One Nights by Raja Alem and Tom McDonough

by Elinor Teele

December 10th, 2007

In Alem’s world-view, one might expect to see objects morph into people, animals writhe in henna tattoos, and stones grant bearers restoration or doom. There are no rules of physics in this vision of Mecca and the city springs up like a character itself, imbued with its own sacred significance.

The Tin Roof Blowdown By James Lee Burke

by John Holt

December 3rd, 2007

Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative.

The Headmaster’s Dilemma by Louis Auchincloss

by Vikram Johri

November 26th, 2007

There is another criticism that Auchincloss has had to counter in his long and illustrious career as writer (he also worked as a lawyer). In his books, there is a constant struggle to capture a bygone world — in a nod perhaps to Edith Wharton and Henry James, those other chroniclers of the hypocrisy of the rich and famous.

City of Fire By Robert Ellis

by John Holt

November 19th, 2007

There are red herrings aplenty, but once finished reading the novel I’m left with a sense of annoyance at these diversions, so often delightful necessities in other mysteries, but close to being filler in this one.

The Uncommon Reader by Alan Bennett

by Garan Holcombe

November 12th, 2007

There is also something conversational about the way he writes, a straightforwardness, and a beguiling, gentle rhythm. And of course, there is that dry wit. Bennett has a genius for the sardonic one-liner, his timing is immaculate.

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