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California Literary Review

Fiction Reviews

Last Night in Twisted River by John Irving

by Elinor Teele

January 7th, 2010

For Last Night in Twisted River is the work of a seasoned tale-teller, a writer who can blend his own life (a breakthrough novel on the fourth try, stints in Iowa under the tutelage of Kurt Vonnegut) with Danny’s and still manage to erase himself in the process. It’s the old story within a story trick, the character we thought to be a third person passive now metamorphosing into a first person active. So by the time we reach the finish, a finish that Irving ties neatly back to the beginning, Danny has provided us with an intriguing meditation on the process of fiction writing.

You or Someone Like You by Chandler Burr

by Katie Cappello

January 6th, 2010

The religious and cultural tensions present in this book, while controversial, are always handled with grace and candor, perhaps because, as Burr writes in an author’s note, the recounting of Sam Rosenbaum’s ousting from a Jewish temple is his own.

The Ghost King: Transitions III by R. A. Salvatore

by Ryan Van Cleave

December 22nd, 2009

A fast-paced, heartrending book, The Ghost King is a must-read for any fans of the Drizzt Do’Urden stories and a welcome read for general fantasy enthusiasts. While The Pirate King has a tighter plot and better action scenes, it’s this book that people will long remember.

Generosity: An Enhancement by Richard Powers

by David Loftus

December 17th, 2009

What’s remarkable about her is that she shares her story with the class simply, with a kind of wonder and interest, as if it were not her own. In fact, Thassa finds delight, awe, and beauty in almost everything: her journal entries and stories charm everyone in the class, as does her person: “she shouldn’t even be pretty, except for the conspiracy of delight rounding her cheeks.” She seems perpetually happy! How can it be?

Matchless by Gregory Maguire

by Katie Cappello

December 9th, 2009

Matchless was originally composed by Maguire for the radio, and the story retains a sense of immediacy which makes it a quick read. Some pages contain only a sentence or two, and Maguire has included his own “illuminations” or sketches, to illustrate the story. There’s a lovely energy to Maguire’s drawings which complements the action of the story, and he plays with light and shadow in the same way visually as he does textually. These two formatting choices make the book ideal for children, something which is not true for his other re-imaginings.

Flesh and Fire: Book One of the Vineart War by Laura Anne Gilman

by Ryan Van Cleave

December 3rd, 2009

The first clue that Gilman is not going to zing this story along with Tom Clancy speed is that her Prelude has a pre-Prelude—never a good sign if you’re in the mood for a fast-read airplane book, which so many fantasies are. But the Vin World is rich with vattage and vine, mustus and maturation, such that even non-oenophiles cannot help but feel immersed in a unique world full of a strange richness and beauty.

Love and Summer by William Trevor

by Mark Fitzgerald

November 19th, 2009

Why is it that summer can never last forever, especially when we want it to? The once long and amorous days wane too soon in circumscription. A small chill creeps down from the hills. Something is about to end. Then someone leaves town. Someone always leaves town.

The Lacuna by Barbara Kingsolver

by John R. Guthrie

November 17th, 2009

Even so, to hold The Lacuna in one’s hand, to read it, is to witness and experience years of distilled effort and research. Like Diego Rivera’s murals, it is a lager-than-life work full of color, life, and movement, one executed by a masterful artist at the height of her creative powers.

Under the Dome by Stephen King

by Katherine Tomlinson

November 10th, 2009

Still, despite the ending, this is King’s best work in years, a richly textured novel of people under pressure that will move readers and provoke them and make them want to tell their friends. Forget Blaze and Duma Key, the King is back. Long live the King.

The Scarpetta Factor by Patricia Cornwell

by Jem Bloomfeld

November 4th, 2009

She’s developed an enjoyable way of beginning novels in the middle of a story, letting her audience watch the characters carry out conversations and actions which they don’t yet understand, but which will be unravelled as the book continues. This must be an even harder trick than it looks, and The Scarpetta Factor is driven by the reader’s need to find out what the heroes know, as well as what the villains have done.

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