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California Literary Review

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Lots in a Name

by Jem Bloomfeld

January 21st, 2008

Rather more subtle is Hercule Poirot, whose name contains elements of both “Hercules”, the classical hero, and “Pierrot”, the Italian clown - an interesting combination of heroism and buffoonery. The name reflects Christie’s practice of presenting Poirot alternately as a figure of fun and a stern emissary of justice. Dorothy L. Sayers balances her detective hero in a similar way – Peter Wimsey’s name has all the connotations of his silly-ass-about-town persona, but he is shadowed by his middle name – “Death.”

Notes from Italy: Getting into the Mountains

by Peter Bridges

January 10th, 2008

I did not know that Neanderthals once lived hereabouts; that farmers first settled here six thousand years ago; that nearby, down on the Campagna, the Gauls defeated the Romans in 390 B.C. before going on to take Rome itself. I knew dimly that the Allied forces had fought the Wehrmacht in these parts in 1944, but not that the day before the Americans took Marcellina, the Germans rounded up all the village men they could find and shot them in reprisal for the killing of two German grenadiers.

Photographs from Havana Deco

by Martino Fagiuoli

December 18th, 2007

A photographic essay: Art Deco in Havana, Cuba.

Daniel Barenboim at La Scala

by Judith Harris

December 11th, 2007

Drama number three was the presence on the podium of Daniel Barenboim, the child prodigy born in 1942 in Argentina to Russian parents, who moved with him to Israel when he was ten. This opera performance, which furthermore inaugurates the newly restored theater, was the first by Barenboim as conductor of the orchestra that had performed under the batons of Arturo Toscanini and, more recently, the flamboyant Riccardo Muti. Although Barenboim has performed Wagner many times elsewhere, La Scala audiences have not seen a Wagnerian opera for three decades, and his making this selection can still raise a few eyebrows.

Murdering Miss Austen

by Julia Braun Kessler

December 6th, 2007

Jane Austen, whose sharp tongue barely left her cheek during her short lifetime, and, whose caustic satire survived the intervening centuries of industrialization, through revolution and war, as well as the whirligig of literary fashions (whose onslaught took down others as great) may finally be deflated or drowned in the crazy waves of idiot’s delights!

A Place for Three Seasons: Crested Butte

by Peter Bridges

December 4th, 2007

Let us be clear on one thing: physically fit people tend to get more out of this place. One can sit and admire the mountains from a bench on Elk Avenue, or from a car out on the summer roads, but to me there is nothing better in life than walking an hour or two up to Scarp Ridge or the long green alp atop Mount Axtell, to sit and see high peaks all around.

Notes From Italy: Some Old Envoys

by Peter Bridges

November 29th, 2007

Counts who stank of garlic–as did the whole country–had sponged on him for seats in his box at the opera. He was meeting diplomats who had “titles as long as a flagstaff, and heads as empty as their hearts.” These were strictly private comments, Daniel told Peticolas, and none of it should get into the papers. All of it did, in Richmond and soon in Turin. Now it was not garlic but what people called “the garlic letter” that caused a stink.

Gentlemen and Players

by Jem Bloomfeld

November 13th, 2007

Yet it is the amateur, the eccentric and the outsider who plays the hero in the whodunnit. Lord Peter, with his silly-ass-about-town front, Holmes, with his Goethe and cocaine bottle and Poirot with his obsessive neatness and ostentatiously Gallic egotism, all seem pretty unlikely champions of order and public safety.

Notes From Italy: The Oversized Embassy

by Peter Bridges

November 6th, 2007

Nor, it seems, do Americans get out of their diplomatic fortress the way they used to. Italians say they do not have the American friends and acquaintances that they used to. What do embassy officers do with their time? Like many professionals in this country, they spend hours in front of computer screens, busy with e-mail. That may be work, but it has little to do with representing the United States.

Crossing Styx

by Jascha Kessler

October 30th, 2007

What happens to children is that they usually pass from believing that everything presented by television is real to a later conviction that “nothing is real.” In other words, the world has become crowded, permeated and possessed by the fictive.

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