California Literary Review


An Interview with San Francisco Ballet Choreographer Myles Thatcher


August 10th, 2012

It’s like a puzzle that needs to be cracked. It may seem to me that the steps are predetermined, but really, the music is dictating what should be there.

Spines, Wines and Dragonflies: Groovin’ in Stern Grove with the San Francisco Ballet


August 1st, 2012

For me, Frances Chung and Daniel Deivison, as the couple in orange, delivered the most virtuosic performance, with lifts and counterpoint that in their athleticism seemed to channel something Olympic. The fanning of dancers on the floor, facing the audience like human footlights, was a touch of class that transported me from Grove to groove, as a blue dragonfly made a spectacular landing a leaf or two stage left of center.

Post:Ballet — Dreams, Seams, and Salience


July 24th, 2012

What does Post:Ballet mean in terms of classical ballet? Is it a rejection of the classical vocabulary, an integration of classical with neo-classical and contemporary styles, or a step beyond what has gone before?

8 Questions with Dancer/Choreographer David Van Ligon


July 23rd, 2012

It was very exciting to get to showcase one of my works for Company C, and I really enjoyed watching the piece come together. It was just thrilling to watch — from the videotape of me doing the initial steps, then to have the dancers understand my vision and afterward execute it.

Body In-Sight: Action Drawings from the Dance Studio at the Museum of Performance and Design, San Francisco


July 23rd, 2012

Aided by mirrors installed in their jewel box set, the gallery audience watched as they performed barre exercises, first dipping their feet in charcoal powder, so that the trajectory of their leg movements would be registered on the paper.

8 Questions with Choreographer/Dancer Robert Dekkers


July 16th, 2012

In addition to my work with Post:Ballet, I am currently dancing with Diablo Ballet, where I have the opportunity to perform in a variety of exciting and challenging works, from George Balanchine’s technically demanding Tarantella to KT Nelson’s free-flowing The Escaping Game.

Singin’ In The Rain: A 60th Anniversary Celebration


July 13th, 2012

It is more than just one of the all-time greats, grouped with the likes of Casablanca and The Wizard Of Oz. Singin’ In The Rain is also an off-the-wall lesson in Hollywood history.

Dance USA’s 30th Anniversary Conference


July 9th, 2012

After having been dragged into an undertow where only conference-ese is spoken, two performance programs featuring San Francisco Bay Area dance companies, made for a thrilling rescue into a harbor of hope.

Wepa! It’s Aqua Zumba!


June 25th, 2012

“The way I see it,” says Solano, “is that the endorphins kick in and make you feel happy, love dancing, and you want to share it. Your mental ability is improved, and it helps the memory, calms you, and whatever anxieties you have accumulated can be turned around.”

Bay Area Dancers Perform in a Benefit for Cancer Prevention


June 18th, 2012

On Wednesday, June 6, thirty-three dancers from or associated with twelve San Francisco Bay Area dance companies, came together to dance for a packed audience at San Francisco’s Herbst Theater. Each piece shown represented the best of that company or dancer’s repertoire, and it was a rare opportunity for the dancers to share it not only with an audience, but with colleagues in the dance world.

Ben Vereen Opens Up About Fame, Addiction and Love


June 15th, 2012

I love my public, and if I’m walking down the street and someone wants to take a picture with me, I’m happy to do it. After all, they’ve taken the time to come to my show. Gilda Matthews sent me t-shirts that say “Spread the love,” and I think we should, we don’t have to hoard love any more than we’d hoard water; there’s enough for everyone.

Claiming Cranko’s Shrewd Choreography: An Interview with Andreza Randisek and Rodrigo Guzmán


June 5th, 2012

This ballet is so hard! It will never go perfectly no matter how much you rehearse. Something always goes wrong. But this ballet is one of my favorites is because it’s a joy when you can give the public something for the soul and the brain.

Dance to the Music: National Youth Orchestras of Chile


June 4th, 2012

My father, Hugo Domínguez, had been Hen’s assistant, and one day they were walking in a poor neighborhood, where the kids played soccer barefoot in the dust with a sweater rolled up as a ball. Jorge said to my father, “How many Claudio Araújo’s do you think there are there in that group?” That was his vision.

Smuin Ballet and Diablo Ballet: Two Praiseworthy Bay Area Dance Companies


May 10th, 2012

There are a few privileges that come with the role of dance critic. One that is not so obvious, but very gratifying, is watching companies start, develop, and come into their own. If you remain in one locale long enough, you see large companies grow more magisterial, and small ones pop up on the horizon, fall away, or survive and aggregate dancers, repertoire, audiences, endowment, and heft.

Five Questions with Oregon Ballet Theatre Artistic Director Christopher Stowell


May 1st, 2012

We have created a lean, but very powerful group of artists with an incredible work ethic and drive and a hunger for giving their all on stage. We also have a sophisticated and eclectic repertoire that our audiences eat up.

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