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> <channel><title>California Literary Review &#187; Art &amp; Design</title> <atom:link href="http://calitreview.com/category/art-and-design/feed" rel="self" type="application/rss+xml" /><link>http://calitreview.com</link> <description>An arts and culture magazine.</description> <lastBuildDate>Sat, 11 Feb 2012 22:12:32 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>Henry Ossawa Tanner: Modern Spirit, Pennsylvania Academy of the Fine Arts, Philadelphia</title><link>http://calitreview.com/23495</link> <comments>http://calitreview.com/23495#comments</comments> <pubDate>Wed, 01 Feb 2012 03:02:00 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art realism]]></category> <category><![CDATA[Henry Ossawa Tanner]]></category> <category><![CDATA[PAFA]]></category> <category><![CDATA[Pennsylvania Academy of the Fine Arts]]></category> <category><![CDATA[Thomas Eakins]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=23495</guid> <description><![CDATA[This exhibition of the works of Henry Ossawa Tanner is the first major reappraisal of the great African-American painter in a generation. On display in the PAFA exhibit are over 100 of Tanner’s works, including twelve paintings never shown in a previous retrospective. Drawings, photographs, prints and the only two surviving sculptures created by Tanner are featured, along with his paintings.]]></description> <wfw:commentRss>http://calitreview.com/23495/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Art Review: The Renaissance Portrait from Donatello to Bellini, The Metropolitan Museum of Art</title><link>http://calitreview.com/22943</link> <comments>http://calitreview.com/22943#comments</comments> <pubDate>Tue, 10 Jan 2012 17:54:38 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art portraiture]]></category> <category><![CDATA[fifteenth century]]></category> <category><![CDATA[Metropolitan Museum of Art]]></category> <category><![CDATA[Renaissance]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22943</guid> <description><![CDATA[In his <em>Portrait of a Young Man</em>, painted in 1478, Antonello fused the psychological intensity of Byzantine icon painting with a close regard for his subject's unique, personal identity. Antonello died the year after he painted <em>Portrait of a Young Man</em>, but with this and a handful of similar works, he blazed a trail for all of the great portrait painters who came after him.]]></description> <wfw:commentRss>http://calitreview.com/22943/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Denver’s Clyfford Still Museum</title><link>http://calitreview.com/23003</link> <comments>http://calitreview.com/23003#comments</comments> <pubDate>Mon, 09 Jan 2012 14:30:42 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Architecture]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art abstract expressionism]]></category> <category><![CDATA[Clyfford Still Museum]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=23003</guid> <description><![CDATA[In 1959, he referred to esteemed critic Clement Greenberg and others as “wandering mongrels” only able to “cock a leg” against work they could not understand.]]></description> <wfw:commentRss>http://calitreview.com/23003/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>West of Center: Art and the Countercultural Experiment in America, 1965 -1977, Museum of Contemporary Art, Denver</title><link>http://calitreview.com/22749</link> <comments>http://calitreview.com/22749#comments</comments> <pubDate>Thu, 05 Jan 2012 15:00:12 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[1960s]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[MCA Denver]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22749</guid> <description><![CDATA[Earnest rather than ironic, unashamedly idealistic, unafraid of appearing amateurish and haphazard, many of the contents of this exhibition have the air of artifacts from a lost world.]]></description> <wfw:commentRss>http://calitreview.com/22749/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Two Chinese Exhibitions at the Denver Art Museum</title><link>http://calitreview.com/22783</link> <comments>http://calitreview.com/22783#comments</comments> <pubDate>Tue, 03 Jan 2012 15:01:40 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[China]]></category> <category><![CDATA[Denver Art Museum]]></category> <category><![CDATA[textiles]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22783</guid> <description><![CDATA[This was a world in which the color of the glass finial on one’s hat indicated with precision one’s rank at court; in which the bird or animal embroidered in silk and gold thread on a silken badge indicated a civil or military official’s place in the hierarchy. (Degrees of civil officialdom were represented by birds such as cranes or pheasants, while military rank was indicated by fiercer animals, such as tigers, leopards, lions, and the legendary <em>quilin</em>.) ]]></description> <wfw:commentRss>http://calitreview.com/22783/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Transition to Christianity, Onassis Cultural Center, New York City</title><link>http://calitreview.com/22369</link> <comments>http://calitreview.com/22369#comments</comments> <pubDate>Wed, 14 Dec 2011 03:03:41 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Archeology]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Religion]]></category> <category><![CDATA[Ancient Greece]]></category> <category><![CDATA[ancient history]]></category> <category><![CDATA[Ancient Rome]]></category> <category><![CDATA[Byzantium]]></category> <category><![CDATA[Christianity]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22369</guid> <description><![CDATA[After Christianity was recognized as the official state religion of the Roman Empire in 380, a number of Christian groups, notably monks in Egypt, changed roles from martyrs to persecutors. A magnificent head of Aphrodite, dating to first century Athens, bears the marks of Christian vandalism. The eyes and lips have been chipped to “blind” and “silence” the deity. A cross was then inscribed on the forehead of Aphrodite.]]></description> <wfw:commentRss>http://calitreview.com/22369/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Art Review: Robert Adams: The Place We Live, Denver Art Museum</title><link>http://calitreview.com/21476</link> <comments>http://calitreview.com/21476#comments</comments> <pubDate>Thu, 10 Nov 2011 14:45:56 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Photography]]></category> <category><![CDATA[Denver Art Museum]]></category> <category><![CDATA[Robert Adams]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21476</guid> <description><![CDATA[The photographs in the retrospective are animated by the yearning for a sense of place, of belonging and by regret at seeing that place forever slipping out of reach, as a consequence of environmental heedlessness and of the inevitable passage of time.]]></description> <wfw:commentRss>http://calitreview.com/21476/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Stieglitz and His Artists: Matisse to O&#8217;Keeffe, The Metropolitan Museum of Art</title><link>http://calitreview.com/21325</link> <comments>http://calitreview.com/21325#comments</comments> <pubDate>Sun, 06 Nov 2011 16:00:26 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Alfred Stieglitz]]></category> <category><![CDATA[art avant-garde]]></category> <category><![CDATA[art cubism]]></category> <category><![CDATA[art modern]]></category> <category><![CDATA[art pictorialism]]></category> <category><![CDATA[Arthur Dove]]></category> <category><![CDATA[Auguste Rodin]]></category> <category><![CDATA[Brancusi]]></category> <category><![CDATA[Charles Demuth]]></category> <category><![CDATA[Clarence White]]></category> <category><![CDATA[Georgia O’Keefe]]></category> <category><![CDATA[Gertrude Käsebier]]></category> <category><![CDATA[John Marin]]></category> <category><![CDATA[Marius de Zayas]]></category> <category><![CDATA[Marsden Hartley]]></category> <category><![CDATA[matisse]]></category> <category><![CDATA[Paul Strand]]></category> <category><![CDATA[Picasso]]></category> <category><![CDATA[Vasily Kandinsky]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21325</guid> <description><![CDATA[Beginning with paintings, drawings and a limited number of sculptures by such “wild men” as Matisse, Picasso and Brancusi, Stieglitz went on to champion works created by American painters in the years following World War I. His one-man crusade met with a very mixed reception. Many in the New York art establishment viewed Stieglitz as a cultural anarchist, intent on dynamiting the Beaux-Arts foundation of American art.]]></description> <wfw:commentRss>http://calitreview.com/21325/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Charles Dickens at 200, The Morgan Library and Museum</title><link>http://calitreview.com/20918</link> <comments>http://calitreview.com/20918#comments</comments> <pubDate>Wed, 19 Oct 2011 14:00:21 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Great Britain]]></category> <category><![CDATA[Writers]]></category> <category><![CDATA[Charles Dickens]]></category> <category><![CDATA[nineteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=20918</guid> <description><![CDATA[Dickens’ novels probed the social ills of Victorian England in order to create unforgettable images of human misery and redemption in the minds of the literary public. Conscious of how the accompanying illustrations to his text would help in this respect, Dickens worked very closely with the artists who provided these memorable pictures.]]></description> <wfw:commentRss>http://calitreview.com/20918/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Art Review: de Kooning: A Retrospective, MoMA</title><link>http://calitreview.com/20278</link> <comments>http://calitreview.com/20278#comments</comments> <pubDate>Thu, 29 Sep 2011 14:00:04 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Arshile Gorky]]></category> <category><![CDATA[art abstract expressionism]]></category> <category><![CDATA[MoMA]]></category> <category><![CDATA[Willem de Kooning]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=20278</guid> <description><![CDATA[De Kooning exhibited six "Bitch Goddess" paintings when most American men preferred to watch Marilyn Monroe stand over a steam vent. These paintings, as Robert Harris observed, are rooted in the "simultaneous desire for and fear of women." De Kooning may not have intended to paint <em>Woman I</em> to express these suppressed emotions. But that is what he put on the canvas and he may have been as perplexed as his critics as to how it got there.]]></description> <wfw:commentRss>http://calitreview.com/20278/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Art Review: Rembrandt and the Face of Jesus, Philadelphia Museum of Art</title><link>http://calitreview.com/19138</link> <comments>http://calitreview.com/19138#comments</comments> <pubDate>Mon, 08 Aug 2011 16:07:08 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[judaism]]></category> <category><![CDATA[Rembrandt]]></category> <category><![CDATA[Renaissance]]></category> <category><![CDATA[seventeenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19138</guid> <description><![CDATA[Living in close proximity to the growing Jewish population of Amsterdam, the biblically-minded Rembrandt experienced an artistic epiphany of lasting significance. Why not paint the portrait of Jesus, a 1st Century Jew from Galilee, using a live model with Jewish features? The resulting portraits, seven out of a likely eight that were painted, now grace the walls of a landmark exhibition at the Philadelphia Museum of Art.]]></description> <wfw:commentRss>http://calitreview.com/19138/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Art Review: Avant-Garde Art in Everyday Life, Art Institute of Chicago</title><link>http://calitreview.com/19059</link> <comments>http://calitreview.com/19059#comments</comments> <pubDate>Sun, 07 Aug 2011 14:42:38 +0000</pubDate> <dc:creator>Nivedita Gunturi</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Design]]></category> <category><![CDATA[1920s]]></category> <category><![CDATA[1930s]]></category> <category><![CDATA[art constructivist]]></category> <category><![CDATA[Art Institute of Chicago]]></category> <category><![CDATA[Bauhaus]]></category> <category><![CDATA[Constructivism]]></category> <category><![CDATA[Constructivist]]></category> <category><![CDATA[El Lissitzky]]></category> <category><![CDATA[Gustav Klutsis]]></category> <category><![CDATA[John Heartfield]]></category> <category><![CDATA[Karel Teige]]></category> <category><![CDATA[Ladislav Sutnar]]></category> <category><![CDATA[Piet Zwart]]></category> <category><![CDATA[propaganda]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19059</guid> <description><![CDATA[Stasis, whether in art, life, economics or political culture, was distasteful and to be done away with. Having spent much of the 1920’s doing typographic and book design as well as designing toys and puppets, Sutnar was well-placed to bring his left-of-center, democracy-inspired radicalism to everything from porcelain to book covers.]]></description> <wfw:commentRss>http://calitreview.com/19059/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Beauty &amp; Bounty: American Art in the Age of Exploration, Seattle Art Museum</title><link>http://calitreview.com/18666</link> <comments>http://calitreview.com/18666#comments</comments> <pubDate>Thu, 21 Jul 2011 14:37:33 +0000</pubDate> <dc:creator>Laura Haertel</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Albert Bierstadt]]></category> <category><![CDATA[art landscapes]]></category> <category><![CDATA[Eadweard Muybridge]]></category> <category><![CDATA[Martin Johnson Heade]]></category> <category><![CDATA[nineteenth century]]></category> <category><![CDATA[Sanford Robinson Gifford]]></category> <category><![CDATA[Seattle Art Museum]]></category> <category><![CDATA[Thomas Moran]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=18666</guid> <description><![CDATA[The highlight of the gallery would have to be the three paintings by lesser-known artist Martin Johnson Heade. In comparison with the majestic landscapes of mountains, waterfalls and canyons, the rather unremarkable marshlands and haystacks seem out of place. Yet, thanks to a rather humorous and talented Heade, the swirling haystacks and strange storm clouds leave the viewer with an eerie sense of calm, much like the sensation one feels before a summer storm.]]></description> <wfw:commentRss>http://calitreview.com/18666/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Marvelous Mud at the Denver Art Museum</title><link>http://calitreview.com/18138</link> <comments>http://calitreview.com/18138#comments</comments> <pubDate>Thu, 07 Jul 2011 10:23:17 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[ceramics]]></category> <category><![CDATA[Denver Art Museum]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=18138</guid> <description><![CDATA[Marajó is a vast island lying at the mouth of the Amazon, much of which is underwater during seasonal floods. Between 400 and 1300 AD, a culture flourished here on artificial mounds built to rise above the flood waters.  The current indigenous inhabitants disclaim any connection to the earlier residents; the makers of these objects had vanished before their ancestors arrived, they say.]]></description> <wfw:commentRss>http://calitreview.com/18138/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Collab: Four Decades of Giving Modern and Contemporary Design, Philadelphia Museum of Art</title><link>http://calitreview.com/17387</link> <comments>http://calitreview.com/17387#comments</comments> <pubDate>Thu, 09 Jun 2011 14:04:46 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Design]]></category> <category><![CDATA[Alvar Aalto]]></category> <category><![CDATA[Charles Eames]]></category> <category><![CDATA[Eames]]></category> <category><![CDATA[Ettore Sottsass]]></category> <category><![CDATA[furniture]]></category> <category><![CDATA[George Nelson]]></category> <category><![CDATA[Joe Colombo]]></category> <category><![CDATA[Masanori Umeda]]></category> <category><![CDATA[Mies van der Rohe]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <category><![CDATA[Ray Eames]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=17387</guid> <description><![CDATA[Put them together as an integrated unit and you have a masterpiece. And in doing so, you have a vivid testimonial to Nelson's famous 1965 evocation of "junk" as the "crowning glory" of modern consumer culture, "the symbol as clear a statement as the pyramids, the Parthenon, the cathedrals ... the rusty, lovely, brilliant symbol of the dying years of your time. Junk is your ultimate landscape."]]></description> <wfw:commentRss>http://calitreview.com/17387/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston</title><link>http://calitreview.com/17341</link> <comments>http://calitreview.com/17341#comments</comments> <pubDate>Mon, 06 Jun 2011 12:45:29 +0000</pubDate> <dc:creator>Katherine Hollander</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[Boston Museum of Fine Arts]]></category> <category><![CDATA[Dale Chihuly]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=17341</guid> <description><![CDATA[The pieces presented in this forty-year retrospective are bright and smooth, often dauntingly large, and composed of multiple parts that cluster together like organisms in an ecosystem or diverse components within a cell. They are frequently plantlike, vital and faintly menacing, and sport attachments that suggest insect pincers or lobster claws. They’re organic and goofy, as if they’d grown themselves, rather than being made. Yet at the same time there is something stubbornly artificial in their fantastic symmetries. ]]></description> <wfw:commentRss>http://calitreview.com/17341/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Cities of Splendor: A Journey Through Renaissance Italy, Denver Art Museum</title><link>http://calitreview.com/16423</link> <comments>http://calitreview.com/16423#comments</comments> <pubDate>Mon, 16 May 2011 17:03:21 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Denver Art Museum]]></category> <category><![CDATA[Renaissance]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=16423</guid> <description><![CDATA[The shepherds look up in bewilderment at the announcing angel whose golden halo, rose-pink robes, and orangey-bronze wings seem to glow. Surely, this is what a supernatural visitation should look like.   And yet the effect of nocturnal shadow shows the painter to be as interested in earthly experiences as heavenly ones – here already is the keenly observational eye of the Renaissance.]]></description> <wfw:commentRss>http://calitreview.com/16423/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore</title><link>http://calitreview.com/16307</link> <comments>http://calitreview.com/16307#comments</comments> <pubDate>Thu, 12 May 2011 13:14:34 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art impressionist]]></category> <category><![CDATA[art modern]]></category> <category><![CDATA[matisse]]></category> <category><![CDATA[Picasso]]></category> <category><![CDATA[Theodore Robinson]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=16307</guid> <description><![CDATA[While Robinson’s depiction of a pensive young woman in a sylvan setting hardly seems revolutionary today, his painting marked a significant moment of transition in the American art scene. During the 1890's, wealthy Americans like Henry Frick were buying Rembrandts by the cart-load.]]></description> <wfw:commentRss>http://calitreview.com/16307/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Health for Sale, Philadelphia Museum of Art</title><link>http://calitreview.com/15383</link> <comments>http://calitreview.com/15383#comments</comments> <pubDate>Fri, 15 Apr 2011 15:01:26 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Medicine]]></category> <category><![CDATA[advertising]]></category> <category><![CDATA[Ars Medica]]></category> <category><![CDATA[ephemera]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <category><![CDATA[posters]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=15383</guid> <description><![CDATA[Designed for short-term use to promote public health or sell the latest "miracle" drug, medical posters have often been ignored. Traditionally, these posters have ranked well below the "stars" of Ars Medica collections, such as books of hand-tinted herbal remedies or anatomical drawings from the 16th century. But each of the prints in <em>Health for Sale</em> tells an amazing story, often confounding the expectations of the viewer.]]></description> <wfw:commentRss>http://calitreview.com/15383/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Paris Through the Window: Marc Chagall and His Circle, Philadelphia Museum of Art</title><link>http://calitreview.com/15119</link> <comments>http://calitreview.com/15119#comments</comments> <pubDate>Wed, 30 Mar 2011 13:45:22 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art modern]]></category> <category><![CDATA[Chagall]]></category> <category><![CDATA[judaism]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=15119</guid> <description><![CDATA[Chagall was a major exception to the ready embrace of western modes of art and thought by artists from Eastern Europe. However much he might borrow a stylistic element from Cubism or Orphism, Chagall maintained a spiritual element in his art that was in keeping with his Jewish and Russian heritage.]]></description> <wfw:commentRss>http://calitreview.com/15119/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>The Denver Art Museum’s New Galleries of American Indian Art</title><link>http://calitreview.com/14971</link> <comments>http://calitreview.com/14971#comments</comments> <pubDate>Wed, 23 Mar 2011 21:00:17 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Native American]]></category> <category><![CDATA[Denver Art Museum]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=14971</guid> <description><![CDATA[Navajo “eyedazzler” rugs of the nineteenth century, in which brilliantly colored wools form intricate diamonds, are grouped together to emphasize the subtle formal variations introduced by individual weavers; the vivid reds, yellows, and greens which made the designs possible were the product of new chemical dyes.]]></description> <wfw:commentRss>http://calitreview.com/14971/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Blink! Light, Sound, and the Moving Image at the Denver Art Museum</title><link>http://calitreview.com/14804</link> <comments>http://calitreview.com/14804#comments</comments> <pubDate>Wed, 16 Mar 2011 13:12:18 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[art video]]></category> <category><![CDATA[Denver Art Museum]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=14804</guid> <description><![CDATA[A work such as Nam June Paik’s <em>Electronic Fish</em> of 1986, constructed from a 1948 wooden Philco television console converted into an aquarium, fitted with a soundtrack recorded on audiocassette playing on a vintage 1980s car stereo, and tuned to an analog TV signal, poses conservational challenges as daunting as any presented by a crumbling <em>quattrocento</em> fresco.]]></description> <wfw:commentRss>http://calitreview.com/14804/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Gauguin: Maker of Myth, National Gallery of Art, Washington, D.C.</title><link>http://calitreview.com/14503</link> <comments>http://calitreview.com/14503#comments</comments> <pubDate>Wed, 02 Mar 2011 14:00:08 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[National Gallery of Art]]></category> <category><![CDATA[Paul Gauguin]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=14503</guid> <description><![CDATA[“You know that I have Indian blood, Inca blood in me, and it’s reflected in everything I do,” he wrote in 1889 to Theo van Gogh, brother to Vincent. “It’s the basis of my personality; I try to confront rotten civilization with something more natural, based on primitivism…”]]></description> <wfw:commentRss>http://calitreview.com/14503/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>New Insights Into the Life of Caravaggio</title><link>http://calitreview.com/14117</link> <comments>http://calitreview.com/14117#comments</comments> <pubDate>Mon, 14 Feb 2011 14:00:16 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Renaissance]]></category> <category><![CDATA[seventeenth century]]></category> <category><![CDATA[sixteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=14117</guid> <description><![CDATA[In his most serious brawl, about which the documents provide an entirely new account, Caravaggio killed a man. The brawl, like a Los Angeles fight between rival gangs, had been planned ahead of time with eight participants, whose names are now known. ]]></description> <wfw:commentRss>http://calitreview.com/14117/feed</wfw:commentRss> <slash:comments>7</slash:comments> </item> <item><title>The Civil War Begins: An Exhibition at the Rosenbach Museum and Library, Philadelphia</title><link>http://calitreview.com/13743</link> <comments>http://calitreview.com/13743#comments</comments> <pubDate>Wed, 26 Jan 2011 12:00:36 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art & Design]]></category> <category><![CDATA[History]]></category> <category><![CDATA[American History]]></category> <category><![CDATA[civil war]]></category> <category><![CDATA[nineteenth century]]></category> <category><![CDATA[Rosenbach Museum and Library]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=13743</guid> <description><![CDATA[These are not merely newspapers, letters, transcripts of speeches and official reports from the 1850's through the first major battles of the war in 1861. To a very significant degree, the words inscribed on these timeworn documents actually influenced the outbreak of the Civil War. ]]></description> <wfw:commentRss>http://calitreview.com/13743/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: John Baldessari: Pure Beauty at the Metropolitan Museum of Art</title><link>http://calitreview.com/12890</link> <comments>http://calitreview.com/12890#comments</comments> <pubDate>Thu, 02 Dec 2010 15:12:08 +0000</pubDate> <dc:creator>Frances DeVuono</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[Claude Lévi- Strauss]]></category> <category><![CDATA[John Baldessari]]></category> <category><![CDATA[Ludwig Wittgenstein]]></category> <category><![CDATA[Metropolitan Museum of Art]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12890</guid> <description><![CDATA[There is a big fuss about <em>Pure Beauty</em>, John Baldessari’s retrospective at the Metropolitan Museum of Art in New York.  And there should be.  While his work has been shown here and internationally since the 1980s, this exhibition comprises the first major survey of Baldessari’s work in the United States in over twenty years.  It was about time.]]></description> <wfw:commentRss>http://calitreview.com/12890/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Alessi: Ethical and Radical at the Philadelphia Museum of Art</title><link>http://calitreview.com/12854</link> <comments>http://calitreview.com/12854#comments</comments> <pubDate>Tue, 30 Nov 2010 15:31:58 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Alberto Alessi]]></category> <category><![CDATA[Alessandro Mendini]]></category> <category><![CDATA[Amanda Levete]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[Charles Jencks]]></category> <category><![CDATA[Denise Scott Brown]]></category> <category><![CDATA[Fernando Campana]]></category> <category><![CDATA[Greg Lynn]]></category> <category><![CDATA[Jan Kaplicky]]></category> <category><![CDATA[Michael Graves]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <category><![CDATA[Philippe Starck]]></category> <category><![CDATA[Richard Sapper]]></category> <category><![CDATA[Robert Venturi]]></category> <category><![CDATA[Ron Arad]]></category> <category><![CDATA[Salvatore Dali]]></category> <category><![CDATA[Umberto Campana]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12854</guid> <description><![CDATA[The <em>Tea and Coffee Piazza</em> sets, produced in limited editions of ninety-nine, with three artist’s proofs, were a critical success. The project served to introduce Michael Graves to the Alessi "stable," while traveling exhibits informed museum patrons on the ways that high art and industrial design could form working partnerships. Mendini's original conception was vindicated.]]></description> <wfw:commentRss>http://calitreview.com/12854/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Michelangelo Pistoletto Exhibitions at the Philadelphia Museum of Art</title><link>http://calitreview.com/12459</link> <comments>http://calitreview.com/12459#comments</comments> <pubDate>Wed, 03 Nov 2010 19:15:57 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[art modern]]></category> <category><![CDATA[Michelangelo Pistoletto]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12459</guid> <description><![CDATA[Pistoletto first gained prominence in the world of art in the early 1960's with his <em>Quadri Specchianti</em>. These "mirror paintings" positioned life-sized and astonishingly lifelike images of people on highly polished sheets of stainless steel.]]></description> <wfw:commentRss>http://calitreview.com/12459/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Art Review: Chaos and Classicism: Art in France, Italy and Germany, 1918-1936</title><link>http://calitreview.com/11939</link> <comments>http://calitreview.com/11939#comments</comments> <pubDate>Tue, 05 Oct 2010 02:33:29 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Germany]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[1920s]]></category> <category><![CDATA[1930s]]></category> <category><![CDATA[Adolf Ziegler]]></category> <category><![CDATA[Antonio Donghi]]></category> <category><![CDATA[Aristide Maillol]]></category> <category><![CDATA[Carlo Carra’]]></category> <category><![CDATA[Edward Steichen]]></category> <category><![CDATA[Fascism]]></category> <category><![CDATA[Giorgio de Chirico]]></category> <category><![CDATA[Guggenheim Museum]]></category> <category><![CDATA[Hitler]]></category> <category><![CDATA[Isadora Duncan]]></category> <category><![CDATA[Jean Cocteau]]></category> <category><![CDATA[Leni Riefenstahl]]></category> <category><![CDATA[Ludwig Mies van der Rohe]]></category> <category><![CDATA[Madeleine Vionnet]]></category> <category><![CDATA[Mario Sironi]]></category> <category><![CDATA[Mussolini]]></category> <category><![CDATA[Otto Dix]]></category> <category><![CDATA[Picasso]]></category> <category><![CDATA[twentieth century]]></category> <category><![CDATA[World War I]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=11939</guid> <description><![CDATA[<em>Chaos and Classicism</em> tells the story of good intentions that went terribly wrong. After the carnage of trench warfare, sensitive spirits in Europe craved artistic depictions of beautiful bodies, unscathed by shrapnel, and timeless, uncluttered architecture inspired by the Greek and Roman past. Yet, it was not long before this craving for life-affirming art was transformed into the soulless ideology of Mussolini's Fascist Italy and Hitler's Third Reich.]]></description> <wfw:commentRss>http://calitreview.com/11939/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Art Review: Charles Deas and 1840s America at the Denver Art Museum</title><link>http://calitreview.com/11554</link> <comments>http://calitreview.com/11554#comments</comments> <pubDate>Mon, 13 Sep 2010 13:50:48 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[American artist]]></category> <category><![CDATA[American West]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[Charles Deas]]></category> <category><![CDATA[Denver Art Museum]]></category> <category><![CDATA[nineteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=11554</guid> <description><![CDATA[Viewed in context with Deas’s other works, <em>Prairie on Fire</em> brings together a number of themes that ran through his all-too-brief career – his talent for narrative and action, often with gothic overtones, his projection of established American myths, dreams, and nightmares onto the newly opened spaces of the American West, and an intensity and ambiguity of feeling that may hint at his own troubled inner state.]]></description> <wfw:commentRss>http://calitreview.com/11554/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> </channel> </rss>
