This exhibition of the works of Henry Ossawa Tanner is the first major reappraisal of the great African-American painter in a generation. On display in the PAFA exhibit are over 100 of Tanner’s works, including twelve paintings never shown in a previous retrospective. Drawings, photographs, prints and the only two surviving sculptures created by Tanner are featured, along with his paintings.

This article is filed under Art, Art & Design.

This is very different stuff than the angst of later confessional poets such as Lowell and Plath, whose despair is essentially personal, rooted in disappointment and disillusionment. Kees, by comparison, proposes that this is simply how it is, and does so with enough coolness and elegance that it comes as no surprise that Wallace Stevens wrote to Kees ordering a volume of a limited edition of his verse.

This article is filed under After Image, Art, Poetry.

In his Portrait of a Young Man, painted in 1478, Antonello fused the psychological intensity of Byzantine icon painting with a close regard for his subject’s unique, personal identity. Antonello died the year after he painted Portrait of a Young Man, but with this and a handful of similar works, he blazed a trail for all of the great portrait painters who came after him.

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In 1959, he referred to esteemed critic Clement Greenberg and others as “wandering mongrels” only able to “cock a leg” against work they could not understand.

This article is filed under Architecture, Art, Art & Design.

Earnest rather than ironic, unashamedly idealistic, unafraid of appearing amateurish and haphazard, many of the contents of this exhibition have the air of artifacts from a lost world.

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This was a world in which the color of the glass finial on one’s hat indicated with precision one’s rank at court; in which the bird or animal embroidered in silk and gold thread on a silken badge indicated a civil or military official’s place in the hierarchy. (Degrees of civil officialdom were represented by birds such as cranes or pheasants, while military rank was indicated by fiercer animals, such as tigers, leopards, lions, and the legendary quilin.)

This article is filed under Art, Art & Design, China.

After Christianity was recognized as the official state religion of the Roman Empire in 380, a number of Christian groups, notably monks in Egypt, changed roles from martyrs to persecutors. A magnificent head of Aphrodite, dating to first century Athens, bears the marks of Christian vandalism. The eyes and lips have been chipped to “blind” and “silence” the deity. A cross was then inscribed on the forehead of Aphrodite.

This article is filed under Archeology, Art, Art & Design, Religion.

Put as simply as possible, Matthews thought he was being tortured and his thoughts disrupted by remote control, via magnetic currents produced by a machine called the “air loom.” Matthew’s “air loom” was operated by a gang of seven: villainous Bill the King, wisecracking Jack the Schoolmaster, crude Sir Archy, the enigmatic Middle Man, scheming Augusta, poor, maltreated Charlotte, and the sinister Glove Woman, the most skilled operator of the machine.

This article is filed under After Image, Art.

The photographs in the retrospective are animated by the yearning for a sense of place, of belonging and by regret at seeing that place forever slipping out of reach, as a consequence of environmental heedlessness and of the inevitable passage of time.

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Beginning with paintings, drawings and a limited number of sculptures by such “wild men” as Matisse, Picasso and Brancusi, Stieglitz went on to champion works created by American painters in the years following World War I. His one-man crusade met with a very mixed reception. Many in the New York art establishment viewed Stieglitz as a cultural anarchist, intent on dynamiting the Beaux-Arts foundation of American art.

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