California Literary Review

Profile of Katherine Hollander

Bio:

Katherine Hollander reviews art for the “California Literary Review.” Her poetry and literary criticism have been published in “Pleiades,” “AGNI Online,” “Open City” and elsewhere. She is currently a graduate student of European history at Boston University.

Articles written for the California Literary Review:

  • Art Review: Chihuly: Through the Looking Glass, Museum of Fine Arts, Boston
    Posted on 06 Jun 2011 in Art, Art & Design

    The pieces presented in this forty-year retrospective are bright and smooth, often dauntingly large, and composed of multiple parts that cluster together like organisms in an ecosystem or diverse components within a cell. They are frequently plantlike, vital and faintly menacing, and sport attachments that suggest insect pincers or lobster claws. They’re organic and goofy, as if they’d grown themselves, rather than being made. Yet at the same time there is something stubbornly artificial in their fantastic symmetries.

  • Art Review: Dr. Lakra at the ICA, Boston
    Posted on 24 Jun 2010 in Art, Art & Design

    A quartet of anatomical drawings from Munich, printed perhaps a hundred years ago, are especially lovely. Lakra has “tattooed” the forearms and torsos with pale blue marks; he has also transformed a man into a saint, blending science and religion, art and iconography, showing that decoration can sanctify or vandalize.

  • Art Review: Object, Image, Collector at the Museum of Fine Arts, Boston
    Posted on 09 Jun 2010 in Africa, Art, Art & Design

    It’s the photoetching, a 1974 work called “The Train,” that is really breath-taking. It seems to take on the complicated issues of the African Diaspora, the art it produced, and Western views of that art, as well as presenting a moment from the struggle for Civil Rights. The faces that look out at us from the page are communicative and knowing, their gazes complicated and reproachful, and the liquid softness of the watercolor combines with the horizontal lines of the etching to create a beautiful, powerful work you can stand in front of for a long time.

  • Art Review: Albrecht Dürer: Virtuoso Printmaker at the Museum of Fine Arts, Boston
    Posted on 25 May 2010 in Art, Art & Design

    The earlier prints from each series are flatter, the lines more bold and calligraphic, the details stranger. The later images show the rising influence of the renaissance: the figures bear their weight in sophisticated contrapposto stances, the realistically-rendered bodies are more beautiful. It’s illuminating to see these works grouped together, to follow their stories in and out of changing historical styles and Dürer’s own artistic and intellectual development.

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