After Image

39 posts

A Distant Mirror: Fashion and Identity in Colonial Latin America

The scene depicted is officially entitled Garden Party on the Terrace of a Country Home, but Tomlinson says it is known behind the scenes as “Sex, Drugs, and Rock and Roll”, as it shows the Beautiful People of colonial Mexico enjoying all the pleasures their world had to offer.

The Forgotten Sculpture of John B. Flannagan

His sculptures, like his wonderful Elephant of 1929-1930, or his Chimpanzee of 1928, were often carved directly from the rock; they are both roughhewn and elegant, radically simple but powerfully emotional, immediately evoking both the natural forms of the stones from which they are made, and the living creatures they represent. It’s sad to think of them languishing in obscurity.

Into the Void: The Bicoastal Legacy of Weldon Kees

This is very different stuff than the angst of later confessional poets such as Lowell and Plath, whose despair is essentially personal, rooted in disappointment and disillusionment. Kees, by comparison, proposes that this is simply how it is, and does so with enough coolness and elegance that it comes as no surprise that Wallace Stevens wrote to Kees ordering a volume of a limited edition of his verse.

Madness and Mesmerism: Charles Deas Revisited

Put as simply as possible, Matthews thought he was being tortured and his thoughts disrupted by remote control, via magnetic currents produced by a machine called the “air loom.” Matthew’s “air loom” was operated by a gang of seven: villainous Bill the King, wisecracking Jack the Schoolmaster, crude Sir Archy, the enigmatic Middle Man, scheming Augusta, poor, maltreated Charlotte, and the sinister Glove Woman, the most skilled operator of the machine.

Stacey Steers’ Night Hunter

Here, Gish finds herself amidst a riot of Freudian imagery – snakes, earthworms, and phallic blades of grass; mysterious pulsating eggs that seem to ooze blood. Among the few touches of color (added by hand) are splashes of red in Gish’s clothes (and oozing from those eggs). These, along with the old house deep in a tangled wood which forms the setting, evoke Little Red Riding Hood, perhaps the modern world’s favorite fable of sexual awakening and sexual danger.

Denver’s Camera Obscura Gallery Closes

In dramatic contrast to the wide-open, sleekly minimalist aesthetic of most modern art galleries, Camera Obscura’s displays rambled through a series of rooms whose uniform coat of white paint barely obscured their past as a Victorian home. It was in this casual, intimate, even cluttered environment that I encountered many of the luminaries of modern photography, such as Edward Weston, Eliot Porter, Imogen Cunningham…