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California Literary Review

Permanent Link to <em>Brian Jungen: Strange Comfort</em> at The National Museum of the American Indian

Brian Jungen: Strange Comfort at The National Museum of the American Indian

November 3rd, 2009

by Alix McKenna

The first piece you see upon entering is Shapeshifter (2000), an enormous, abstracted whale skeleton built entirely out of white plastic chairs. Jungen’s leviathan is hung in front of a simple black wall and the contrast of colors intensifies its extraordinary power. Shapeshifter has the pristine, flawless texture of a mass produced object, yet somehow feels organic. You can easily imagine the enormous tale with its graceful, individually-carved vertebrae swinging to life.

Nicole Atkins: Femme Noir

October 26th, 2009

by Elinor Teele

She’s been called the female Roy Orbison, a psychedelic metalhead who grew up listening to Elvis and Patsy Cline. She adores Robert Plant and Led Zeppelin, does covers of Patti Smith and reminds listeners of Dusty Springfield. She has a voice like gray autumn skies and a fondness for nightmares. Classify Nicole Atkins at your peril.

The Barnes Foundation: Beauty Surrounded by Controversy

October 12th, 2009

by Ed Voves

And what a treasure trove! By the time of his death in 1951, Barnes had purchased 181 works by Renoir, 69 by Cezanne, 7 Van Gogh paintings, 59 works by Matisse, 11 by Degas, 16 by Modigliani, 46 Picasso’s, with 4 apiece by Manet and Monet. He also collected modern American works by William Glackens, Charles Demuth and Maurice and Charles Prendergast. His eclectic tastes extended to African sculptures, European decorative art, American folk art and quirky curiosities like an American Civil War surgeon’s saw.

Ron Arad: No Discipline at MoMA

August 17th, 2009

by Carmela Ciuraru

The experience of viewing “No Discipline,” the first major U.S. retrospective of the virtuosic, Israeli-born designer Ron Arad, is less like seeing an exhibition at the Museum of Modern Art and more like walking through a carnival funhouse. That’s intended as a compliment.

A New Look at Rome’s Rousing Middle Ages

August 6th, 2009

by Judith Harris

When its doors first opened in 1734, the Capitoline Museum, which stands upon the hilltop that is the very heart of Rome, was one of the first European public museums and a favorite haunt of the wealthy Grand Tourists from all over Europe. As of July 30 this venerable museum offers something novel to all tourists—a chance for a fresh look at a relatively neglected period of Roman history and the arts, the Middle Ages.

Francis Alÿs: Fabiola at the National Portrait Gallery, London

July 29th, 2009

by Rose Lejeune

Perhaps what fascinated him about these portraits was that they show this urge to create and to communicate through art. More though, Alÿs’ display highlights the ways in which art inhabits a space of its own – outside of museums and critical appraisal. The works he has collected pay homage to the fact that it can be made anywhere, by anyone. The art changes and becomes personalized as it is interpreted and lived by individuals

Cézanne and Beyond at the Philadelphia Museum of Art

April 8th, 2009

by Ed Voves

Matisse, in an essay written many years later for another Philadelphia Museum of Art exhibition, appraised the new approach to art that Cézanne had bequeathed to him and other leading spirits of Modernism. “There is an inherent truth which must be disengaged from the outward appearance of the object to be represented,” Matisse wrote. “This is the only truth that matters …. Exactitude is not truth.”

Rodchenko & Popova: Defining Constructivism, at the Tate Modern, London

March 31st, 2009

by Rose Lejeune

In 1921, the Constructivists announced the end of painting. To mark its passing they held the exhibition ‘5 x 5 = 25’ and declared that they would now only make art for everyday life; Productivism. The Tate has devoted a room to this last exhibition of painting, the highlight of which has to be Rodchenko’s ‘Pure Red Colour, Pure Yellow Colour, Pure Blue Colour’ (1921).

Celebrating Galileo in Florence

March 22nd, 2009

by Judith Harris

2009 is officially “The Year of Astronomy,” commemorating Galilei’s first observation of the Moon through his telescope in November of 1609. Born in Pisa, Galileo Galilei worked in Florence, where the fourth centennial of his discovery is being celebrated with a stunning and sophisticated exhibition which took four years to prepare.

George Tooker at the Pennsylvania Academy of the Fine Arts

February 23rd, 2009

by Ed Voves

Tooker’s paintings are questions not answers. The drama takes place away from the picture plain, as viewers grapple with the implications of what they see before them.

In My Father’s Shadow by Chris Welles Feder

November 5th, 2009

by Rochelle Jewel Shapiro

Permanent Link to <em>In My Father’s Shadow</em> by Chris Welles Feder

Orson had become so famous for his villainous role as Harry Lime in The Third Man that the moment he appeared in public, somebody whipped out an instrument and began playing the theme song. When an organ-grinder began playing the theme while Chris and Orson were crossing Piccadilly Circus, Orson had had it with London. His driver took them way out in the country to picnic in an isolated spot surrounded by hedges. A man on a bicycle saw them, stopped short, and suddenly whipped out his harmonica to play The Third Man theme song.

The Scarpetta Factor by Patricia Cornwell

November 4th, 2009

by Jem Bloomfeld

Permanent Link to <em>The Scarpetta Factor</em> by Patricia Cornwell

She’s developed an enjoyable way of beginning novels in the middle of a story, letting her audience watch the characters carry out conversations and actions which they don’t yet understand, but which will be unravelled as the book continues. This must be an even harder trick than it looks, and The Scarpetta Factor is driven by the reader’s need to find out what the heroes know, as well as what the villains have done.

Cranioklepty: Grave Robbing and the Search for Genius by Colin Dickey

November 2nd, 2009

by David Loftus

Permanent Link to <em>Cranioklepty: Grave Robbing and the Search for Genius</em> by Colin Dickey

The 19th century science known as phrenology — which posited that the human skull conforms to the shape of the brain within, which in turn expresses in physical form one’s innate moral and intellectual faculties (crudely, that by feeling the shape of a person’s head you could tell whether he or she had great intellectual or creative powers, or was more likely a criminal) — had a brief but rich heyday. It influenced the thought and writings of the Brontë sisters, Charles Dickens, George Eliot, and especially Walt Whitman, as well as scientists and physicians of the time.

Empire of Liberty A History of the Early Republic, 1789-1815 by Gordon S. Wood

October 29th, 2009

by Ed Voves

Permanent Link to <em>Empire of Liberty A History of the Early Republic, 1789-1815</em> by Gordon S. Wood

The “Era of Good Feeling” that followed 1815, however, was of short duration. The issue of slavery could not be banished, as the crisis that erupted in 1819 over admitting Missouri as a slave state showed. Even Jefferson, the “Sage of Monticello,” began to have doubts about the future, fearing that the “Empire of Liberty” that he and the other “Founding Fathers” had created might not survive “the unwise and unworthy passions of their sons.”

The Child Thief by Brom

October 26th, 2009

by Katherine Tomlinson

Permanent Link to <em>The Child Thief</em> by Brom

There are moments of genuine mystery and magic, scenes where we are bedazzled and terrified simultaneously. The walk through the mist, crunching on the bones of those who strayed from the path has a Tolkienian resonance. The bloody battles that Peter leads in the real world echo those in the enchanted world. And the myth of the Horned One, who is Peter’s father, overshadows everything. For Peter is an immortal wild child who may look mostly human but who is decidedly something … other.

Game Six: Cincinnati, Boston, and the 1975 World Series by Mark Frost

October 21st, 2009

by Elinor Teele

Permanent Link to <em>Game Six: Cincinnati, Boston, and the 1975 World Series</em> by Mark Frost

Baseball’s World Series. 1975. The Cincinnati Reds, manager Sparky Anderson’s Big Red Machine, are up 3 games to 2 against Darrell Johnson’s scrappy Red Sox. After a three-day rain delay that has drowned any hope of an inning, the sun rises on the oldest Major League stadium still in use. It’s Tuesday, October 21, at Fenway Park.

Vanessa and Virginia by Susan Sellers

October 20th, 2009

by Katie Cappello

Permanent Link to <em>Vanessa and Virginia</em> by Susan Sellers

As a cultural, literary, and historical icon, Virginia Woolf was celebrated by contemporaries and has continued to fascinate audiences long after her death. And why not? Her strong individualistic streak, perhaps anachronistic during her lifetime, fits in well with our post-feminist culture, and her ability to render life in intimate, almost cinematic detail has inspired writers for ages.

The Greatest Show On Earth: The Evidence for Evolution by Richard Dawkins

October 19th, 2009

by John R. Guthrie

Permanent Link to <em>The Greatest Show On Earth: The Evidence for Evolution</em> by Richard Dawkins

The unit of measure is a “Darwin,” so named by famed geneticist J. B. S. Haldane. One of the architects of modern Darwinism, he served with great courage in the Scottish Blackwatch Regiment during World War I, then continued his research. At that time, there were some 350,000 known species of beetles. When Haldane was asked by a theologian what he learned of the nature of God from his study of science, he replied, “That He has an inordinate fondness for beetles.”

Abraham Lincoln: A Life by Michael Burlingame

October 15th, 2009

by Peter Bridges

Permanent Link to <em>Abraham Lincoln: A Life</em> by Michael Burlingame

Never perhaps has there been such a masterful account of the man’s failures—and successes—in this country’s most taxing job. Look what Burlingame says he did in just his first hundred days in office: “…he raised and supplied an army, sent it into battle, held the Border States in the Union, helped thwart Confederate attempts to win European diplomatic recognition, declared a blockade, asserted leadership over his cabinet, dealt effectively with Congress, averted a potential crisis with Great Britain, and eloquently articulated the nature and purpose of the war.”

Permanent Link to Movie Review: <em>The Maid</em>

Movie Review: The Maid

November 1st, 2009

by Germein Linares

It’s in this last third of the film that Catalina Saavedra’s performance as Raquel carries the film to excellence. Raquel’s character could easily have devolved into caricature. Instead, Saavedra allows her to experience these newly discovered truths with equal measures of joy and regret. Often, it’s just a face – a momentary expression of the eyes and mouth – that say so much about Raquel’s life in the shadows, the years lost to servitude.

Movie Review: Paranormal Activity

October 24th, 2009

by Julia Rhodes

The film falls short by arranging a regrettably thin layer of spooky occurrences beneath a thicker deposit of badly acted exposition and obnoxious characters. The couple and all secondary characters are total unknowns, which fits with the idea that audiences are privy to the lives of everyday citizens. The problem lies in the movie’s inability to create believable tension.

Movie Review: Amelia

October 23rd, 2009

by Zorianna Kit

Furthermore, Nair chooses to play it safe by directing an uninspiring paint-by-numbers biopic complete with voice-overs from the now dead Amelia (“We all have ocean’s to fly…”), montages to speed up time, black-white newsreel footage to add authenticity, and the flashing of newspaper headlines to show historical significance. One would think that Nair’s beautiful Bollywood films would have brought some magic touch to this very American story.

Movie Review: Where the Wild Things Are

October 17th, 2009

by Julia Rhodes

Although studios balked at the film’s maturity, believing it might be too scary for children, it will appeal to kids and adults alike. Inside all of us there’s a child who yearns to break free, and the film’s beauty lies in its ability to portray unrefined human emotion and the vastness of the imagination. Expect Jonze’s Where the Wild Things Are to ignite the minds of generations to come; spending 90 minutes inside a child’s mind has never felt so cathartic and enchanting.

Movie Review: Zombieland

October 3rd, 2009

by Julia Rhodes

Zombieland elicits comparison to both the Brit “romzomcom” (romantic zombie comedy) and Dawn of the Dead (1978). But though it’s alternately a comedy, a romance, a gorefest, and a buddy road-trip movie, Zombieland unravels many of the threads that make up the zombie genre. A good ensemble cast (three up-and-comers and the always-humorous Harrelson), great makeup effects, and fantastic writing create a lighthearted, fun homage to the classic undead movies of yore.

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